Asha Bhosle's ' "Main Teri Huyi Re Balma" was released on its scheduled release date, January 1, 1963. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in Ravi, Shakeel Badayuni's "Gehra Daag" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Main Teri Huyi Re Balma is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Main Teri Huyi Re Balma by Asha Bhosle to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kisi Ki Muskurahaton Pe | Mukesh | C Minor | 3 | 5A | 207 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Pehle to Kabhi Kabhi | Altaf Raja | D♭ Minor | 7 | 12A | 180 BPM | ||
| Jane Chaman Shola Badan | Sharda, Mohammed Rafi | D Minor | 6 | 7A | 105 BPM | ||
| Baharo Phool Barsao (From "Suraj") | Mohammed Rafi | E♭ Minor | 5 | 2A | 168 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Teri Rab Ne Bana Di Jodi | Asha Bhosle, Mohammed Rafi, Shailendra Singh, Laxmikant–Pyarelal | A Major | 7 | 11B | 149 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| O Haseena Zulfonwale Jane Jahan Afro Trap | The Hrishi, Asha Bhosle, Mohammed Rafi | G Minor | 7 | 6A | 140 BPM | ||
| Zindagi Kaisi Hai Paheli | Manna Dey | C Major | 6 | 8B | 98 BPM | ||
| Kahin Door Jab Din Dhal Jaye | Mukesh, Salil Chowdhury | F Major | 4 | 7B | 91 BPM | ||
| Ae Yaar Sun Yaari Teri | Mohammed Rafi, Asha Bhosle, Shailendra Singh, Laxmikant–Pyarelal | A Minor | 6 | 8A | 90 BPM | ||
| Daroga O Daroga | Kanu Bhattacharya, Asha Bhosle | E Major | 7 | 12B | 85 BPM | ||
| Bumbro | Shankar Mahadevan, Sunidhi Chauhan, Jaspinder Narula | F Major | 8 | 7B | 136 BPM | ||
| Ankhiyon Se Goli Maare | Sonu Nigam, Jaspinder Narula | D Major | 8 | 10B | 102 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Yeh Tera Ghar Yeh Mera Ghar | Jagjit Singh, Chitra Singh | G Major | 6 | 9B | 119 BPM | ||
| Awaara Bhanwara | Hema Sardesai, Malaysia Vasudevan | G Major | 6 | 9B | 100 BPM | ||
| Afreen Afreen | Nusrat Fateh Ali Khan | B Minor | 4 | 10A | 100 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Aaja Piya Tohe Pyar Doon (From "Baharon Ke Sapne") | Lata Mangeshkar | G Major | 3 | 9B | 110 BPM | ||
| Ankhon Men Masti Sharab Ki | Talat Mahmood, Salil Chowdhury | G Major | 3 | 9B | 173 BPM | ||
| Hum Tere Deewane Hai | Shailendra Singh | G Minor | 7 | 6A | 186 BPM |