Paleram Dhaiya's ' "Aanad" was released on its scheduled release date, June 12, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Phool Shing Vol 3". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Aanad is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Aanad by Paleram Dhaiya having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chori Tare Ghungte Ma Chanda Cha | Dattaram Ade | F♯ Major | 7 | 2B | 138 BPM | ||
| Chatari Aaale Manne Lako Le Ade Ke Chori Pagal Ho Re | Rajender Kharkiya | E Minor | 6 | 9A | 112 BPM | ||
| Chamando a Maestria | Ponto de jurema | A Minor | 5 | 8A | 94 BPM | ||
| Khandoba Chi Aarti | Bapu Kamble, Bhjangrao Ksheersagar, Mahadev Shegar, Chhayabai Shinde, Prahalad Kalambe | D Major | 9 | 10B | 135 BPM | ||
| Bhola Nahi Mane Re Nahi Mane | The Bundeli Artists | A♭ Major | 6 | 4B | 92 BPM | ||
| Annabi Shollu Alaih | Guru Sekumpul | D♭ Major | 8 | 3B | 101 BPM | ||
| Kaam Ka Dunda Thaa De Ri | Krishan Juen Wala | D♭ Minor | 8 | 12A | 111 BPM | ||
| Bank Baroda me khato khulwayo | Anchor Bablu Sharma | E♭ Major | 7 | 5B | 134 BPM | ||
| Thapyau Dharap | Raju Pariyar, Bima Kumari Dura | F Major | 7 | 7B | 115 BPM | ||
| လှလှလေး | Kayarr of The Phosphorap | F Major | 5 | 7B | 138 BPM | ||
| Redietey IKa | dyakon efrem | G Minor | 3 | 6A | 109 BPM | ||
| Apne Hatha Mar | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Dek Dek Hairan Vegi Banjara Lengi - Original | Dinesh Bandu Jadhav, Shahir Manik Jadhav Devthana | A Major | 6 | 11B | 124 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge | Sandeep Siwana | B♭ Major | 7 | 6B | 106 BPM | ||
| Dhari Ramchandrache Paay (Turewale) | Shahir Ramchandra Ghanekar | E♭ Minor | 7 | 2A | 98 BPM | ||
| Jaye Karegar Khali | Feroz Kondozi | F Major | 8 | 7B | 106 BPM | ||
| Yaram Ba Yak Peran - Live | Sofi Shoaib Abdara | C Major | 5 | 8B | 187 BPM | ||
| Jikade Tikade Gajar (Turewale) | Shahir Ramchandra Ghanekar | E♭ Minor | 7 | 2A | 98 BPM | ||
| Chaviou Elwara: El Bam | Dimi Mint Abba | A Minor | 4 | 8A | 122 BPM | ||
| Guru Gobind - Gobind Guru Hai | Sri Hazoor Sant Isher Singh Ji Maharaj | C Minor | 8 | 5A | 99 BPM | ||
| Dan Diye Thee Saas Sasur Ne | Azad Singh | D Major | 3 | 10B | 145 BPM | ||
| Gouri Elo (From "Raktabeej") | Dohar, Tirtha Bhattacharya, Traditional | F♯ Major | 8 | 2B | 130 BPM | ||
| Ek Chori Manay Mar Gai | Sarita, Ranbir Singh Badwasniya, Satte, Sunil, Raj | D♭ Major | 9 | 3B | 98 BPM | ||
| سقف الصبر | محمد النصري | D♭ Major | 5 | 3B | 165 BPM | ||
| Teri Akhya Ke | Master Satbeer Singh | D♭ Major | 9 | 3B | 146 BPM |