On June 6, 2011, the song "Oda Intima a Buenos Aires" was released by Astor Piazzolla, Jorge Luis Borges, Daniel Binelli, Jairo. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Oda Intima a Buenos Aires's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in El Tango de Borges y Piazzolla by Astor Piazzolla, Jorge Luis Borges. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Oda Intima a Buenos Aires is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Oda Intima a Buenos Aires by Astor Piazzolla, Jorge Luis Borges, Daniel Binelli, Jairo is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oblivion (Arr. T. Karwan for 2 Flutes & Orchestra) | Astor Piazzolla, Agata Kielar-Długosz, Łukasz Długosz, Witold Lutosławski Chamber Philharmonic, Łomża, Jan Milosz Zarzycki | A♭ Major | 2 | 4B | 76 BPM | ||
| Fugata | Astor Piazzolla, Kathryn Stott, Yo-Yo Ma, Horacio Malvicino, Antonio Agri, Hector Console, Néstor Marconi | A Minor | 5 | 8A | 157 BPM | ||
| Garufa | Tita Merello | B♭ Major | 3 | 6B | 138 BPM | ||
| Melancolico Buenos Aires | Sexteto Mayor | D Minor | 3 | 7A | 131 BPM | ||
| Pulsacion No 2 - Tres Minutos Con La Realidad | Astor Piazzolla Y Su Orchestra | G Minor | 2 | 6A | 128 BPM | ||
| Anclao En Paris | Rubén Juárez | G Major | 4 | 9B | 110 BPM | ||
| Bartók: Romanian Folk Dances in Janoska Style: I. Jocul cu bâta | Janoska Ensemble | D Major | 5 | 10B | 132 BPM | ||
| Milonga Del Angel - 1996 Remastered | Astor Piazzolla quintet | G Major | 2 | 9B | 113 BPM | ||
| Danse Hongroise N°1 en Sol Mineur | Johannes Brahms, Laurent Korcia | G Minor | 3 | 6A | 125 BPM | ||
| La Loca de Amor | Rodolfo Mederos | D Major | 2 | 10B | 88 BPM | ||
| Pasional | Rúben Juárez | C Minor | 2 | 5A | 93 BPM | ||
| La Milonga Del Senor Blanco | Bassa | G Major | 2 | 9B | 113 BPM | ||
| La Pulpera De Santa Lucía | Ignacio Corsini | C Minor | 2 | 5A | 158 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
| Uno | Mariano Mores, Carlos Acuna | D Minor | 3 | 7A | 118 BPM | ||
| El Llorón | Electrocutango | A Major | 6 | 11B | 158 BPM | ||
| Un Vals de San Fernando | Beata Söderberg | D♭ Major | 4 | 3B | 98 BPM | ||
| Todo es amor | Orquesta Fulvio Salamanca, Armando Guerrico | A Major | 3 | 11B | 123 BPM | ||
| Milonga | Gerald Garcia | D Minor | 1 | 7A | 114 BPM | ||
| Suite Punta Del Este | Orquesta Picante | E Minor | 3 | 9A | 113 BPM | ||
| Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
| Si Sos Brujo | Alfredo Gobbi | C Minor | 2 | 5A | 158 BPM | ||
| El escondite de Hernando | Florindo Sassone Y Su Orquesta | C Major | 3 | 8B | 116 BPM | ||
| 5 Tango Sensations: No. 4, Despertar | Astor Piazzolla, Cesare Chiacchiaretta, Krunoslav Marić, Croatian Philharmonic Orchestra, Miran Vaupotić | D Major | 3 | 10B | 141 BPM | ||
| El Andariego | Julio Pane | C Minor | 3 | 5A | 112 BPM |