Mathur Bhai Kanjariya, Govind Aahir, Rekha Rathod, Anu Ben Bharvad, Poonam Barot, Jayshree Ben Sadhaviji's ' "Jagi Sako To Banda Jagajo" was released on its scheduled release date, April 18, 2017. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 24 out of 30 in Bhajanavali by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Jagi Sako To Banda Jagajo is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Jagi Sako To Banda Jagajo by Mathur Bhai Kanjariya, Govind Aahir, Rekha Rathod, Anu Ben Bharvad, Poonam Barot, Jayshree Ben Sadhaviji is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lingastakam | Rishi Nityapragya | G Major | 4 | 9B | 102 BPM | ||
| Man Kari lene Vichar - Live | NARAYANSWAMI | F♯ Major | 8 | 2B | 113 BPM | ||
| Prabhu Tara Sharnoman | Pujya Bhaishree Rameshbhai Ojha | A♭ Minor | 6 | 1A | 147 BPM | ||
| Hey Hanuman Kripanidhan | Rajesh Mishra | A♭ Major | 5 | 4B | 92 BPM | ||
| Vhala Ne Makhan Bhave Re | Utpal Jivrajani, Nidhi Dholakia | C Minor | 5 | 5A | 132 BPM | ||
| Sathido Risano | Hari Bharwad | D♭ Major | 7 | 3B | 127 BPM | ||
| Joli Meri Bharde Bagdanawale | Lalita Ghodadra | F Major | 8 | 7B | 150 BPM | ||
| Jhulo Jhulo Lalmata | Lalitya Munshaw | D Major | 3 | 10B | 120 BPM | ||
| Hu Mukt Chhu 01 | Anmol Khatri | F Minor | 5 | 4A | 80 BPM | ||
| Vina Darshan Badi Zhanjhari | Laxman Barot | B Major | 10 | 1B | 83 BPM | ||
| Dradh Hin Charanan Kero Bharoso | Nidhi Dholakia | B♭ Minor | 4 | 3A | 143 BPM | ||
| Kar Do Kashama Kishori Apradh Mere Sare | Mukul Dwivedi | E Minor | 4 | 9A | 98 BPM | ||
| Rehras Sahib Fast and Soothing | Bhai Parminder Singh | A♭ Minor | 5 | 1A | 82 BPM | ||
| Bhav Dariya Ke Tir | Birju Barot | B♭ Minor | 9 | 3A | 96 BPM | ||
| Ratnakar Pachchisi | Anuradha Paudwal | D♭ Major | 6 | 3B | 99 BPM | ||
| Swaminarayan Narayan | Harikrishna Patel | D♭ Major | 8 | 3B | 103 BPM | ||
| HALRDA HU GAVU MARA LAL NE | Nidhi Dholkia | A♭ Major | 5 | 4B | 88 BPM | ||
| Aghor Nagara Vage | Mathurbhai Kanjariya | F Major | 8 | 7B | 106 BPM | ||
| Chamunda Chalisa | Ishardan Gadhvi | D♭ Major | 5 | 3B | 82 BPM | ||
| He Mara Sevak Bandhu | Mathur Kanjariya, Lalita Ghodadra | F♯ Major | 7 | 2B | 139 BPM | ||
| Jo Anand Sant Fakir Kare | Niranjan Pandya | B Minor | 9 | 10A | 125 BPM | ||
| Sharne Aavi Tamari | Mathur Kanjariya, Lalita Ghodadra | E Major | 6 | 12B | 141 BPM | ||
| Ekde Ek | Master Rana | F Minor | 6 | 4A | 92 BPM | ||
| Aaj Re Sapana Ma Me To | Bhikhudan Gadhvi | E♭ Minor | 7 | 2A | 126 BPM | ||
| Have Mara Vhala Ne | Harikrishna Patel | A Minor | 5 | 8A | 150 BPM |