Hans Zimmer's 'The Railroad Waits for No One' had a release date set for January 1, 2013. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "The Lone Ranger". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, The Railroad Waits for No One's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Railroad Waits for No One by Hans Zimmer having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| Toulon | Martin Phipps | F♯ Minor | 4 | 11A | 96 BPM | ||
| Hell Hath No Fury | Rupert Gregson-Williams | B Minor | 5 | 10A | 90 BPM | ||
| Last Shot | Alexandre Desplat | D♭ Major | 6 | 3B | 107 BPM | ||
| Sky Titans | Thomas Bergersen, Two Steps from Hell | F Minor | 8 | 4A | 146 BPM | ||
| Finale - The Sword in the Stone | Rohan Stevenson | B♭ Minor | 1 | 3A | 91 BPM | ||
| The Kraken | Hans Zimmer | D Major | 4 | 10B | 180 BPM | ||
| Testudo | Atli Örvarsson | F Major | 3 | 7B | 85 BPM | ||
| Mombasa | Hans Zimmer | A Minor | 8 | 8A | 145 BPM | ||
| King Arthur Orchestra Suite - Live | Hans Zimmer, Pedro Eustache, Rusanda Panfili, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 4 | 7A | 82 BPM | ||
| Tesler Throwdown | Joseph Trapanese | D Major | 5 | 10B | 172 BPM | ||
| Hoover Dam | Andrew Lockington | G Major | 7 | 9B | 76 BPM | ||
| A Flight at the Opera | Joe Kraemer | E Minor | 3 | 9A | 141 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Arthur | Rupert Gregson-Williams | D♭ Major | 6 | 3B | 121 BPM | ||
| The Black Pearl | Klaus Badelt | D Minor | 2 | 7A | 90 BPM | ||
| TVA | Natalie Holt | D♭ Major | 5 | 3B | 108 BPM | ||
| The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Sons of Odin | Patrick Doyle | F Major | 5 | 7B | 126 BPM | ||
| Golden Gate Bridge | Patrick Doyle | D♭ Major | 2 | 3B | 160 BPM | ||
| Race You to the Surface | Kevin Kiner | C Major | 7 | 8B | 80 BPM | ||
| This Is Our Planet - From "Our Planet" | Steven Price | B♭ Major | 3 | 6B | 97 BPM | ||
| The Dark Knight Orchestra Suite - Live | Hans Zimmer, James Newton Howard, Amir-John Haddad, Aleksandra Suklar, Vienna Radio Symphony Orchestra, Martin Gellner | B♭ Major | 3 | 6B | 96 BPM | ||
| The Apes Attack | Patrick Doyle | F Major | 6 | 7B | 150 BPM |