Tadao Hayashi's ' "The Good Life" was released on its scheduled release date, February 2, 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 11 in Finger Trip II by Tadao Hayashi. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, The Good Life's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Good Life by Tadao Hayashi is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Remember Spring | Clare Fischer | D♭ Major | 3 | 3B | 128 BPM | ||
| DAYTONA BEACHWAY | Masaru Imada, 今田あきら, Toshiyuki Honda | D Minor | 7 | 7A | 115 BPM | ||
| Midnight Carousel | Amberway | C Major | 5 | 8B | 120 BPM | ||
| SEA LINE | 村上“ポンタ”秀一 スペシャル バンド | E Minor | 8 | 9A | 92 BPM | ||
| Between Red Lights | renny 3l fantasma | C Minor | 4 | 5A | 202 BPM | ||
| WHAT CAN I SAY | Richard Tee | B Minor | 6 | 10A | 122 BPM | ||
| Paano | Ray-An Fuentes, John Lesaca | A Minor | 6 | 8A | 93 BPM | ||
| Diamond Horizon | Club Mirage | D♭ Major | 3 | 3B | 176 BPM | ||
| MINT BREEZE | Masaru Imada, 今田あきら, Toshiyuki Honda | A♭ Major | 5 | 4B | 85 BPM | ||
| First-Time Love | Dave Grusin | A♭ Major | 3 | 4B | 98 BPM | ||
| 夏への扉 | Yoshiko Kishino | B♭ Major | 4 | 6B | 129 BPM | ||
| The More You Know | Chris Geith | G Major | 6 | 9B | 114 BPM | ||
| The Way To The SPA Of Kirizumi | Yuji Ohno | D Minor | 3 | 7A | 120 BPM | ||
| Antarctic | Ellis Knight | C Minor | 3 | 5A | 102 BPM | ||
| ノックをしなかったサンタクロース | Naoya Matsuoka | C Minor | 7 | 5A | 147 BPM | ||
| オールドハワイ・コナ | Naoya Matsuoka | D♭ Major | 8 | 3B | 97 BPM | ||
| Driftline Spectrum | Neon Sunrise Assembly | A Minor | 2 | 8A | 75 BPM | ||
| Without You | Tadao Hayashi | F Major | 2 | 7B | 83 BPM | ||
| Only You Can Make Me Blue | The Love Unlimited Orchestra | A♭ Minor | 7 | 1A | 118 BPM | ||
| Don't Ask My Neighbors | Boy Katindig | F♯ Major | 5 | 2B | 141 BPM | ||
| Smile | The New Minstrels | G Major | 5 | 9B | 90 BPM | ||
| Finger Trip Theme | Tadao Hayashi | C Major | 5 | 8B | 140 BPM | ||
| A FAREWELL TO THE SEASHORE 午後の水平線 | Naoya Matsuoka | D♭ Major | 5 | 3B | 119 BPM | ||
| Delicioso | Tom Grant | F Minor | 6 | 4A | 170 BPM | ||
| Just When I Needed You Most | Tadao Hayashi | F Major | 2 | 7B | 83 BPM |