Max Richter, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer's 'She Remembers - From “The Leftovers”' had a release date set for August 23, 2024. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mari Samuelsen, Olivia Belli, Mário Laginha, Franz Schubert, Steve Reich's "LIFE" album is number 9 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, She Remembers - From “The Leftovers”'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of She Remembers - From “The Leftovers” by Max Richter, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vortex | Jacob Mühlrad | G Minor | 1 | 6A | 101 BPM | ||
| Lontano | Anja Lechner, François Couturier | F♯ Minor | 0 | 11A | 83 BPM | ||
| Bach Brandenburg Concerto Revisited (After Brandenburg Concerto No.1 in F Major, BWV 1046: I. Allegro) [Arr. for Violin, String Quintet & Piano by Jarkko Riihimäki] | Johann Sebastian Bach, Jarkko Riihimäki, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | F Major | 3 | 7B | 81 BPM | ||
| Blue Sky, White Clouds | Jon Opstad | D♭ Minor | 3 | 12A | 71 BPM | ||
| Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | D Minor | 0 | 7A | 144 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| Étude No. 5: Traces - Orchestral Version | Marie Awadis, Scoring Berlin | A Minor | 1 | 8A | 64 BPM | ||
| Étude No. 8: Through the Window (C.B. Rework) | Marie Awadis, Scoring Berlin, Christian Badzura | E Minor | 2 | 9A | 132 BPM | ||
| Pas de Deux: Part 1 | James Horner, Mari Samuelsen, Hakon Samuelsen, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B Minor | 0 | 10A | 133 BPM | ||
| And I Alone | Snorri Hallgrímsson | G Minor | 1 | 6A | 123 BPM | ||
| Eiris, Sones | Nico Muhly, Adam Tendler | E Minor | 0 | 9A | 134 BPM | ||
| Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
| Etude No.10 for Piano & Cello | Paul Leonard-Morgan, Suuvi | C Major | 1 | 8B | 140 BPM | ||
| After Dark | Jim Perkins, Curve Ensemble | A Minor | 2 | 8A | 77 BPM | ||
| Obsequence | Sebastian Plano | C Major | 3 | 8B | 146 BPM | ||
| With Silence (Mvt. 3) - Pt. 4 “sunwards turn” | Erland Cooper | F♯ Major | 3 | 2B | 102 BPM | ||
| Fragments and Sand (Rework) | Antonio Cortesi, Mattia Vlad Morleo | D Minor | 1 | 7A | 119 BPM | ||
| Emerald and Stone (Arr. Knoth) | Brian Eno, Jon Hopkins, Leo Abrahams, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | B Major | 3 | 1B | 82 BPM | ||
| Above and Below (Crepuscular) | Roger Eno, Scoring Berlin, Jon Goddard | E Minor | 0 | 9A | 79 BPM | ||
| Love Song (After JE) - Edit | Max Richter | F Minor | 1 | 4A | 99 BPM | ||
| Les phalènes | Maxence Cyrin | G Major | 2 | 9B | 91 BPM | ||
| Una Mattina (Arr. Badzura) | Mari Samuelsen | A Minor | 3 | 8A | 85 BPM | ||
| Constellations | Alex Baranowski | C Major | 2 | 8B | 172 BPM | ||
| With Silence (Mvt. 3) - Pt. 2 “wow and flutter of unearthed magnetic tape” | Erland Cooper | F♯ Major | 1 | 2B | 78 BPM | ||
| Rose Bay | Ludovico Einaudi | D Major | 0 | 10B | 112 BPM |