Alexandre Desplat's 'Couture' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Couture's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in Coco Before Chanel (Original Motion Picture Soundtrack) by Alexandre Desplat. In terms of popularity, Couture is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Couture by Alexandre Desplat is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Lou Phones For Help | Craig Armstrong | E Minor | 1 | 9A | 78 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Sophie / The Lady with the Little Dog | Nico Muhly | B♭ Minor | 1 | 3A | 58 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Professor Umbridge | Nicholas Hooper | E Minor | 3 | 9A | 140 BPM | ||
| Le Chagrin De Coco | Alexandre Desplat | F Minor | 1 | 4A | 75 BPM | ||
| All Lit Up | Craig Armstrong | G Major | 1 | 9B | 140 BPM | ||
| When You Are Strong Enough | Peter Gregson | G Major | 0 | 9B | 71 BPM | ||
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Les tourments | Philippe Rombi | D♭ Major | 2 | 3B | 70 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Tram at Dawn | Nico Muhly | G Minor | 2 | 6A | 60 BPM | ||
| Ilsa's Library | John Williams | A Minor | 0 | 8A | 72 BPM | ||
| Loved Ones and Leaving | Nicholas Hooper | D Major | 1 | 10B | 90 BPM | ||
| If I Could Kiss You | Mark Isham | D Major | 3 | 10B | 110 BPM | ||
| Two Loves | Alan Silvestri | G Minor | 0 | 6A | 129 BPM | ||
| The Closet | Aaron Zigman | D♭ Major | 0 | 3B | 77 BPM | ||
| Gnossienne No. 1 (From "The Painted Veil") | Erik Satie, London Music Works | F Minor | 0 | 4A | 64 BPM | ||
| Quatuor de l'adolescence | Guillaume Roussel | C Major | 1 | 8B | 83 BPM | ||
| Desplat: Vermeer's Studio | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | C Major | 1 | 8B | 108 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Mildred Pierce Opening Titles | Carter Burwell | D Minor | 1 | 7A | 73 BPM |