CHASE WRIGHT's ' "Why Should We" was released on its scheduled release date, November 5, 2021. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Why Should We's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in CHASE WRIGHT's "INTERTWINED" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Why Should We is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Why Should We by CHASE WRIGHT to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slow Kissin' in a Fast Car | Austin Burke | G Major | 7 | 9B | 74 BPM | ||
| All Yours, All Night | Russell Dickerson | C Major | 7 | 8B | 146 BPM | ||
| Ain't Missing You | John King | A Minor | 6 | 8A | 96 BPM | ||
| Wannabe | Dylan Schneider | B Major | 7 | 1B | 79 BPM | ||
| Where Did We Go? | Josh Kerr | B Major | 7 | 1B | 198 BPM | ||
| Took One Look at Her Momma | Restless Road | A♭ Major | 9 | 4B | 117 BPM | ||
| Kiss Me Like That | Tyler Chambers | E Major | 7 | 12B | 144 BPM | ||
| The Wrong Ones | Jordan Rager | G Major | 7 | 9B | 90 BPM | ||
| You Ain't Pretty | Nate Barnes | D♭ Major | 7 | 3B | 75 BPM | ||
| Die To Go Home | Brett Kissel | C Major | 6 | 8B | 113 BPM | ||
| Crazy Loves Crazy | Josh Mirenda | B♭ Minor | 8 | 3A | 75 BPM | ||
| As Far As I Know | Sean Stemaly | B Major | 8 | 1B | 130 BPM | ||
| What If I'm Right | Adam Sanders | C Major | 9 | 8B | 168 BPM | ||
| Sometimes Late at Night | Eric Burgett | D♭ Major | 8 | 3B | 110 BPM | ||
| What If I Don't | Shaylen | A Major | 3 | 11B | 208 BPM | ||
| Break Me | Hunter Kerr | G Major | 7 | 9B | 99 BPM | ||
| So Far So Good | The Tuten Brothers | B Major | 7 | 1B | 108 BPM | ||
| Prettiest Girl I Don't Know | Troy Cartwright | A Major | 4 | 11B | 69 BPM | ||
| Chapters | Brett Young, Gavin DeGraw | B Major | 6 | 1B | 81 BPM | ||
| Only One Her | Leaving Austin | G Major | 6 | 9B | 81 BPM | ||
| Dirt Road Down | Travis Denning | A♭ Major | 9 | 4B | 98 BPM | ||
| Going 'Round | Jordan Davis | B Minor | 9 | 10A | 180 BPM | ||
| Almost Maybes | Jordan Davis | B Major | 9 | 1B | 180 BPM | ||
| Dirt Rich | Kyle Clark | F♯ Major | 9 | 2B | 140 BPM | ||
| Home Sweet | Russell Dickerson | B Major | 8 | 1B | 121 BPM |