Darkest Hour's 'Seven Day Lie' had a release date set for July 13, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Darkest Hour's "Hidden Hands Of A Sadist Nation" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. Seven Day Lie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seven Day Lie by Darkest Hour to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On the Offensive | From Autumn To Ashes | E♭ Major | 9 | 5B | 90 BPM | ||
| A Wish Full of Dreams | August Burns Red | B♭ Minor | 7 | 3A | 125 BPM | ||
| Undefined | As I Lay Dying | B♭ Minor | 10 | 3A | 175 BPM | ||
| Dance on Your Grave | Rifles At Recess | E♭ Minor | 9 | 2A | 150 BPM | ||
| Beginning with Release | Light This City | D♭ Major | 10 | 3B | 100 BPM | ||
| A Wishing Well | Bury Your Dead | D♭ Minor | 10 | 12A | 144 BPM | ||
| Prisoner of War | All Shall Perish | D♭ Minor | 10 | 12A | 115 BPM | ||
| Where There Is Fire We Will Carry Gasoline | Evergreen Terrace | D♭ Minor | 10 | 12A | 95 BPM | ||
| Monumental Treason | From A Second Story Window | B♭ Major | 10 | 6B | 92 BPM | ||
| Champagne and Sleeping Pills | Eighteen Visions | F♯ Major | 10 | 2B | 99 BPM | ||
| Dana Walker | Hopesfall | A Major | 9 | 11B | 92 BPM | ||
| Where Submission Reigns | Neaera | F Minor | 10 | 4A | 132 BPM | ||
| Another Reason | Darkest Hour | E Major | 2 | 12B | 111 BPM | ||
| Praise The War Machine | Zao | D♭ Major | 9 | 3B | 157 BPM | ||
| Axe of Redemption | Manntis | D Major | 10 | 10B | 157 BPM | ||
| All My Heroes Have Failed Me | Dead To Fall | F♯ Major | 10 | 2B | 117 BPM | ||
| Suffocating Words | Scars Of Tomorrow | G Major | 10 | 9B | 172 BPM | ||
| Mutilation | Bleeding Through | G Minor | 10 | 6A | 83 BPM | ||
| Alaska | Between The Buried And Me | A♭ Major | 7 | 4B | 106 BPM | ||
| The Reason | Beneath The Sky | A♭ Major | 10 | 4B | 163 BPM | ||
| The Human Face Divine | Norma Jean | F♯ Major | 10 | 2B | 87 BPM | ||
| Punch-Drunk Punk Rock Romance | Every Time I Die | G Minor | 10 | 6A | 91 BPM | ||
| Deceived | As Hope Dies | D♭ Major | 10 | 3B | 102 BPM | ||
| Great Distance | The Autumn Offering | D♭ Minor | 10 | 12A | 88 BPM | ||
| Architects of the Apocalypse | Heaven Shall Burn | A♭ Major | 9 | 4B | 86 BPM |