Muzafar, Rafiq's ' "Bail Gustai" was released on its scheduled release date, October 8, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Muzafar, Rafiq, Harris's "Me Kota Aos" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Bail Gustai's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Bail Gustai by Muzafar, Rafiq to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aamadi Janam Ba Qurbanat | Nashenas | B♭ Major | 6 | 6B | 102 BPM | ||
| Ay sholai Hazeen | Ustad Jalil Zaland | D♭ Major | 8 | 3B | 102 BPM | ||
| Makh De Tabana Sta | Sardar Ali Takkar | F Minor | 7 | 4A | 137 BPM | ||
| Paymana Badeh By | Haider Salim | D Major | 8 | 10B | 83 BPM | ||
| Ami Langta Chilam | Monir Khan | E Minor | 7 | 9A | 155 BPM | ||
| Kain Phula Ranga Tora Muhan Chandini | Kumar Bapi | A Minor | 8 | 8A | 162 BPM | ||
| Aaj Biraj Mein Holi Re Rasiya | Amrita Chaturvedi, Upadhyay | C Major | 8 | 8B | 90 BPM | ||
| Dedamash | Dawood Sarkhosh | B♭ Minor | 7 | 3A | 113 BPM | ||
| Ma Tor Kato Rango Dekhbo Bal | Kumar Sanu | C Major | 4 | 8B | 146 BPM | ||
| Bindu Bindu Tharaka - Radio Version | Gunadasa Kapuge | D Major | 4 | 10B | 141 BPM | ||
| Jee Na Lage Bin Tere Yaara | Udit Narayan, Sadhana Sargam | B Minor | 6 | 10A | 82 BPM | ||
| Ugi Hey Dinanath - Kalpana Patowary | Kalpana Patowary | C Major | 5 | 8B | 143 BPM | ||
| Choliya Me Hota Gudgudi Re Mai - Slowed & Reverb | Pawan Singh, Rekha Rao | A Minor | 8 | 8A | 77 BPM | ||
| Gur Charan Ma Bahi | Gorelal Burman, Shantilal Shah | E♭ Minor | 5 | 2A | 122 BPM | ||
| Shonore Rangababu | Gostho Gopal Das | F Major | 6 | 7B | 81 BPM | ||
| Par Si War Jik | Afghani Geet Mala | G Major | 7 | 9B | 108 BPM | ||
| Mere Shankar Ji Hain Pyare | Raviraj Nasery | D♭ Major | 9 | 3B | 133 BPM | ||
| Ananthane | Rajkumar | E♭ Minor | 5 | 2A | 94 BPM | ||
| Dhan Barse Dhan Barse | Sanjay Mittal | D♭ Major | 6 | 3B | 147 BPM | ||
| Ani Bwkha | Bipasha Reang, Sanjay Debbarma | G Major | 7 | 9B | 80 BPM | ||
| Timilai Ma Ke Bhanu | Deepak Jangam, Narayan Gopal | C Minor | 7 | 5A | 136 BPM | ||
| Punjab Mera | Lakhbir Singh Lakkha | D♭ Minor | 4 | 12A | 126 BPM | ||
| Lal Meri Pat | Junoon | A Major | 6 | 11B | 103 BPM | ||
| Sare Naamerabaani | Farhad Darya | F♯ Minor | 5 | 11A | 77 BPM | ||
| Dholki | Adnan Sami, Asha Bhosle | F♯ Major | 9 | 2B | 99 BPM |