"To the Last Man" by Carlo Muscat had its release date on June 27, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Sound Catalogues, Vol. 1". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, To the Last Man's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With To the Last Man by Carlo Muscat having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something in Your Eyes | Jazz & Co. | C Minor | 0 | 5A | 179 BPM | ||
| Clouds | Nello Toscano, Seby Burgio, Alessandro Presti, Peppe Tringali | F Minor | 1 | 4A | 78 BPM | ||
| When All Is Said and Done | Somewhere Off Jazz Street | D♭ Minor | 0 | 12A | 84 BPM | ||
| The Setup | Daniel Diaz | F Minor | 2 | 4A | 170 BPM | ||
| Tank! (From "Cowboy Bebop") | The Jazz Rebels | C Minor | 2 | 5A | 68 BPM | ||
| The Vault | Trigg & Gusset | E♭ Minor | 1 | 2A | 88 BPM | ||
| Quiet Corner | Shalosh | F Major | 0 | 7B | 85 BPM | ||
| Winter | Franz Liszt, Solveig Funseth | C Major | 0 | 8B | 105 BPM | ||
| Noir | Håkon Kornstad | F Minor | 0 | 4A | 79 BPM | ||
| Sorrowful | Mandy | A Minor | 2 | 8A | 78 BPM | ||
| Dream Time | Harry Allen, Andy Brown | F Minor | 1 | 4A | 147 BPM | ||
| Reflections in D | Larry Goldings, Peter Bernstein, Bill Stewart | E♭ Major | 1 | 5B | 131 BPM | ||
| Noire Clarinet | Andrew Hale | C Major | 1 | 8B | 75 BPM | ||
| Romance, Op. 7: No. 2, They Stood in Silence (Arr. for Piano and Saxophone) | Viktor Stepanovych Kosenko, Carlo Muscat, Elena Pogulyaeva | D Major | 0 | 10B | 128 BPM | ||
| The Third One | Svante Söderqvist, Adam Forkelid, Tuulikki Bartosik | A♭ Major | 1 | 4B | 100 BPM | ||
| Park Avenue Petite (Take 1) | Blue Mitchell | A♭ Major | 2 | 4B | 104 BPM | ||
| Dark Matter | Trigg & Gusset | E♭ Major | 3 | 5B | 98 BPM | ||
| Mystique No. 12 | Örjan Hultén Orion, Örjan Hultén, Torbjörn Gulz, Filip Augustson, Peter Danemo | F♯ Major | 3 | 2B | 134 BPM | ||
| Moonlit Confession | Pause maybe? | E Minor | 1 | 9A | 112 BPM | ||
| The New York City Ghost - Instrumental | Herbie Harper | G Major | 1 | 9B | 114 BPM | ||
| Homme à Lunette | Benjamin Herman | D Minor | 3 | 7A | 186 BPM | ||
| Venus (Trio - Live) | Mike Casey | C Major | 6 | 8B | 145 BPM | ||
| Constantly | Bill Allred, Roy Williams, Johnny Varro, Isla Eckinger, Butch Miles | G Major | 5 | 9B | 112 BPM | ||
| Ballad for Bernt feat. Bernt Rosengren & Krzysztof Komeda Trio | Krzysztof Komeda-Trzciński, Krzysztof Komeda Trio, Bernt Rosengren | G Minor | 3 | 6A | 102 BPM | ||
| Making History | Benjamine Leroy Quartet | F Major | 1 | 7B | 58 BPM |