- BPM
- 76
- Key
- C Minor
- Camelot
- 5A
Rossini: Stabat Mater: X. Amen. In sempiterna saecula by Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Coro del Maggio Musicale Fiorentino, Gwynne Howell, Robert Gambill, Orchestra del Maggio Musicale Fiorentino Song Details
"Rossini: Stabat Mater: X. Amen. In sempiterna saecula" by Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Coro del Maggio Musicale Fiorentino, Gwynne Howell, Robert Gambill, Orchestra del Maggio Musicale Fiorentino had its release date on January 1, 1995. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Rossini: Stabat Mater & Petite messe solennelle". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Rossini: Stabat Mater: X. Amen. In sempiterna saecula is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Rossini: Stabat Mater: X. Amen. In sempiterna saecula by Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Coro del Maggio Musicale Fiorentino, Gwynne Howell, Robert Gambill, Orchestra del Maggio Musicale Fiorentino having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -14.63 dB
- Acousticness
- 94%
- Danceability
- 12%
- Energy
- 53%
- Instrumentalness
- 90%
- Liveness
- 18%
- Loudness
- 76%
- Speechiness
- 5%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | |
 | Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | |
 | La Damnation de Faust, Op. 24, H 111 / Pt. 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | |
 | Verdi: Messa da Requiem: X. Confutatis - Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | E Major | 2 | 12B | 164 BPM | |
 | Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | |
 | Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM | |
 | Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" | Richard Wagner, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | |
 | Rigoletto: Scorrendo uniti remota via | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 118 BPM | |
 | Lux aetera | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | B♭ Major | 1 | 6B | 84 BPM | |
 | Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 85 BPM | |
 | Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | |
 | Die Walküre, Act I Scene 3: Du bist der Lenz | Richard Wagner, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 99 BPM | |
 | Donizetti: Don Pasquale, Act 3: "Tornami a dir che m'ami" (Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Mirella Freni, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM | |
 | Bellini: I puritani, Act 1: "A te, o cara, amor talora" (Arturo, Elvira, Giorgio, Gualtiero, Coro) | Vincenzo Bellini, Riccardo Muti, Agostino Ferrin, Alfredo Kraus, Ambrosian Opera Chorus, Montserrat Caballé, Stefan Elenkov, Philharmonia Orchestra | B♭ Major | 7 | 6B | 140 BPM | |
 | Il Barbiere di Siviglia: La calunnia è un venticello - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | |
 | Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | |
 | Verdi: Macbeth, Act 1: Giorno non vidi mai sì fiero e bello! (Macbeth/Banco/Streghe) | Giuseppe Verdi, Sherrill Milnes, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 79 BPM | |
 | Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | |
 | La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | |
 | Ponchielli: La Gioconda, Op. 9, Act 1: "Feste e pane!" (Coro, Barnaba) | Amilcare Ponchielli, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 132 BPM | |
 | Il viaggio a Reims: Dell'alma diva (Live) | Gioachino Rossini, Mirco Palazzi, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | F Major | 3 | 7B | 114 BPM | |
| Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | |
 | Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | |
 | Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | F♯ Minor | 3 | 11A | 89 BPM |
- ISRC
- GBAYC8100131
- Label
- L-M Records/RCA Records