V's ' "Born Again (Instrumental)" was released on its scheduled release date, March 12, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 2 in Born Again by V. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Born Again (Instrumental)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Born Again (Instrumental) by V is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Swings Of Central Park | Alexandre Desplat, Jean-Yves Thibaudet | F Major | 1 | 7B | 76 BPM | ||
| Come Back | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | B♭ Minor | 2 | 3A | 66 BPM | ||
| The Crypt Of The Knights Templar | V | F Minor | 1 | 4A | 138 BPM | ||
| Piano Concerto No.1 In B Flat Minor Op.23 | Berlin Symphonic Orchestra | D♭ Major | 1 | 3B | 79 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Sonata quasi una fantasia No. 14 para piano in C-Sharp Minor, Op. 27 No. 2, " Claro de luna " : III. Presto agitato | Wolf Rottmann | D♭ Minor | 4 | 12A | 170 BPM | ||
| Perfect Timing (feat. V) | Verbs, V | A♭ Major | 4 | 4B | 110 BPM | ||
| Marilyn's Theme | Lang Lang, Conrad Pope | F Major | 0 | 7B | 66 BPM | ||
| Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Dmitri Alexeev | D♭ Major | 0 | 3B | 65 BPM | ||
| Nocturne No. 2 in E Flat, Op. 9 | Frédéric Chopin, Peter Schmalfuss | B♭ Major | 0 | 6B | 101 BPM | ||
| Eden - Gregorian Instrumental Mix | V | F Minor | 1 | 4A | 138 BPM | ||
| Mon Vieil Amour - Original | V | F Minor | 7 | 4A | 118 BPM | ||
| Plus Que Ma Prope Vie | Carter Burwell | C Minor | 1 | 5A | 74 BPM | ||
| La traviata, Act I: Prelude | Giuseppe Verdi, Sofia Symphony Orchestra, Vassil Stefanov | B Major | 0 | 1B | 113 BPM | ||
| Company: IV. - | Philip Glass, Ulster Orchestra, Takuo Yuasa | A Minor | 0 | 8A | 158 BPM | ||
| Fur Alina | Arvo Pärt, Alexei Lubimov | G Major | 0 | 9B | 113 BPM | ||
| Adagio for Strings Op.11 | Samuel Barber, St. Martin's Symphony Of Los Angeles | B Minor | 1 | 10A | 85 BPM | ||
| No Good | Biggums, Ed. Wavy, V | D Minor | 5 | 7A | 134 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Prelude für Klavier in E Minor, Op. 28, Nr. 4 | Sylvia Capova | A Minor | 0 | 8A | 126 BPM | ||
| Next Up | 3L Maro, Xav, V | D Major | 9 | 10B | 128 BPM | ||
| Leaving Netherfield - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Minor | 1 | 5A | 104 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| So good | monolog, V | B♭ Major | 8 | 6B | 126 BPM | ||
| Faux Pas | V | F♯ Minor | 7 | 11A | 120 BPM |