"Le Cygne, R. 125" by Camille Saint-Saëns, Michael Collins, Michael McHale had its release date on January 31, 2020. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Le Cygne, R. 125's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Lyrical Clarinet, Vol. 3". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Le Cygne, R. 125 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Cygne, R. 125 by Camille Saint-Saëns, Michael Collins, Michael McHale having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spiegel im Spiegel | Arvo Pärt, Nicola Benedetti, Alexei Grynyuk | F Major | 0 | 7B | 79 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: VII. Notturno. Con moto tranquillo | Felix Mendelssohn, Iván Fischer, Budapest Festival Orchestra | E Major | 0 | 12B | 64 BPM | ||
| Myrtle | Debbie Wiseman, National Symphony Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): I. Moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Major | 1 | 10B | 95 BPM | ||
| Après un rêve | Gabriel Fauré, Charlie Siem, Paul Goodwin | G Minor | 1 | 6A | 97 BPM | ||
| The Lark | Mikhail Glinka, Dmitri Ferschtman, Mila Baslawskaja | E Minor | 1 | 9A | 92 BPM | ||
| Clear and gentle stream, Op. 17, No. 4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | ||
| Symphony No. 9 in E Minor, Op. 95: No. 1, Largo | Antonín Dvořák, Dominik Wollenweber, Madeleine Carruzzo, Simon Roturier, Ignacy Miecznikowski, Joaquín Riquelme García, Solene Kermarrec, Ulrich Wolff | D♭ Major | 0 | 3B | 138 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Thaïs: Méditation (Arr. R. Nichols for Violin and Piano) | Jules Massenet, Christian Li, Timothy Young | E Minor | 1 | 9A | 90 BPM | ||
| Suite from "The Victorian Kitchen Garden": II. Spring. Allegretto | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 65 BPM | ||
| The Lark Ascending: II. Allegretto tranquillo, quasi andante | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Major | 1 | 10B | 88 BPM | ||
| The Watermill | Ronald Binge, Iain Sutherland Concert Orchestra, Iain Sutherland | F Major | 2 | 7B | 52 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, Ulster Orchestra, Vernon Handley | E♭ Major | 1 | 5B | 81 BPM | ||
| Elevazione For Cello And Oboe | Domenico Zipoli, Robert Haydon Clark, Consort of London | F Major | 1 | 7B | 94 BPM | ||
| Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 120 BPM | ||
| Candide, Act 1: Glitter and Be Gay | Leonard Bernstein, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Minor | 1 | 4A | 141 BPM | ||
| Lady Radnor's Suite: V. Slow Minuet | Hurbert Parry, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 85 BPM | ||
| Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, Chineke! Orchestra, Leslie Suganandarajah | A Major | 1 | 11B | 72 BPM | ||
| Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Velvet Valves (Six Romantic Trio Arrangements): Romance (After Georges Bizet) | David Riniker, Sarah Willis, Kotowa Machida, Philip Mayers, Klaus Wallendorf | A Minor | 0 | 8A | 90 BPM | ||
| 3 Gymnopédies: No. 1 in D Major | Erik Satie, Leonard Slatkin, St. Louis Symphony | G Major | 0 | 9B | 76 BPM | ||
| Notre Dame: Intermezzo | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | D♭ Major | 2 | 3B | 112 BPM | ||
| Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
| Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM |