What’s Going On (feat. Hawk, Mr. 3-2 & Chris Ward)
Screwed Up Click, Hawk, Mr. 3-2, Chris Ward
The Take Over
5:04 March 25, 2014
BPM
78
Key
A Minor
Camelot
8A

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What’s Going On (feat. Hawk, Mr. 3-2 & Chris Ward) by Screwed Up Click, Hawk, Mr. 3-2, Chris Ward Song Details

Screwed Up Click, Hawk, Mr. 3-2, Chris Ward's ' "What’s Going On (feat. Hawk, Mr. 3-2 & Chris Ward)" was released on its scheduled release date, March 25, 2014. This song is quite longer than the average track at 5 minutes and 4 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 16 in the song's album "The Take Over". In this album, this song's track order is #11. What’s Going On (feat. Hawk, Mr. 3-2 & Chris Ward) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With What’s Going On (feat. Hawk, Mr. 3-2 & Chris Ward) by Screwed Up Click, Hawk, Mr. 3-2, Chris Ward having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-4.251 dB
Acousticness
63%
Danceability
68%
Energy
80%
Instrumentalness
0%
Liveness
48%
Loudness
93%
Speechiness
16%
Valence
66%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records