On August 31, 2014, the song "Adigo Atu Choodu" was released by S. P. Balasubrahmanyam, M. Ramesh, Chorus, K. Chakravarthy, Sirivennela Sitaramasastri, Jaaladi. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in K. Chakravarthy, S. P. Balasubrahmanyam, K. S. Chithra, Chorus's "Illu-Pelli" album is number 3 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Adigo Atu Choodu is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Adigo Atu Choodu by S. P. Balasubrahmanyam, M. Ramesh, Chorus, K. Chakravarthy, Sirivennela Sitaramasastri, Jaaladi to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kannung Kannudhan | Harish Raghavendra, Uma Ramanan | B Minor | 7 | 10A | 180 BPM | ||
| Ennullae (From "Valli") | Swarnalatha | C Minor | 4 | 5A | 172 BPM | ||
| Kondalalo Nelakonna | Annamayya Keerthana, S. P. Balasubrahmanyam | F Major | 7 | 7B | 78 BPM | ||
| Neela Vaanam Odaiyil | Gangai Amaran, Vaalee, S. P. Balasubrahmanyam | A Major | 5 | 11B | 94 BPM | ||
| Priyathama | S. P. Balasubrahmanyam, Swarnalatha | G Minor | 5 | 6A | 84 BPM | ||
| Bhadram Be Carefull | Sri Maruthi, K. Chakravarthy, Sirivennela Seetharama Sastry | G Major | 4 | 9B | 99 BPM | ||
| Cheppave Prema | R. P. Patnaik, Usha Munukutla | A Minor | 8 | 8A | 94 BPM | ||
| Masaka Masaka | L. R. Eswari | F♯ Minor | 8 | 11A | 96 BPM | ||
| Ee Preethigagi | V. Ravichandran, S. P. Balasubrahmanyam | C Minor | 8 | 5A | 121 BPM | ||
| En Maman Madurai Veera | Swarnalatha | F Minor | 3 | 4A | 85 BPM | ||
| Ponman Kuyil | S.A. Rajkumar, S. P. Balasubrahmanyam | C Minor | 5 | 5A | 113 BPM | ||
| Oore Kedithavine | S. P. Balasubrahmanyam, S.P. Shailaja, Chorus, Hamsalekha, Gangai Amaran | G Major | 5 | 9B | 108 BPM | ||
| Anjali Anjali - Sad Version | A.R. Rahman, S. P. Balasubrahmanyam, K. S. Chithra | D Major | 4 | 10B | 88 BPM | ||
| Ullame Unakkuthan | Soundaryan, S. P. Balasubrahmanyam, Anuradha Sriram | D♭ Major | 5 | 3B | 88 BPM | ||
| Thaana Vantha | Ilaiyaraaja, S. P. Balasubrahmanyam, S. Janaki | C Major | 6 | 8B | 135 BPM | ||
| Kaadhal Solvadhu | Srinivas, Sunitha, Palani Bharathi | G Minor | 5 | 6A | 145 BPM | ||
| Usilambatti Pen Kutti Muthu | Shahul Hameed, Swarnalatha | G Minor | 4 | 6A | 101 BPM | ||
| Theli Manchu | Vani Jairam | E Minor | 7 | 9A | 120 BPM | ||
| Vala Virikkiren | K. S. Chithra, S. P. Balasubrahmanyam | A Major | 7 | 11B | 111 BPM | ||
| Chandamama | Kalyani Mallik, Sunitha | C Minor | 9 | 5A | 98 BPM | ||
| Ie Kshanamaina | Deva, S. P. Balasubrahmanyam | B♭ Major | 4 | 6B | 82 BPM | ||
| Ragalapallakilo (From "Subhalekha") | P. Susheela, S. P. Balasubrahmanyam | E Major | 5 | 12B | 95 BPM | ||
| Thirumba Thirumba - From "Paarvai Ondre Podhume" | Bharani, Unnikrishnan, Harini, Pa. Vijay | C Minor | 6 | 5A | 90 BPM | ||
| Niluvave Vaalu Kanula Dhaana | N. S. Prakash | C Minor | 8 | 5A | 79 BPM | ||
| Ye Asurudu | Vandemataram Srinivas | A♭ Major | 4 | 4B | 153 BPM |