Francis Cutting, Konrad Ragossnig's ' "Lute music - England: Almain" was released on its scheduled release date, January 1, 1974. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works For Lute by Konrad Ragossnig. The song's track number on the album is #12 out of 114 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Lute music - England: Almain's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Lute music - England: Almain by Francis Cutting, Konrad Ragossnig has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lute music - England: Almain being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite in D Minor: III. L'adieu | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| From the Euing Lute Book: IV. A Piece Without Title (78) | John Dowland, Jakob Lindberg | B Minor | 0 | 10A | 48 BPM | ||
| VI. 1557 Retiro en San Jerónimo de Yuste: "Mille Regretz" "Canción Del Emperador" (Arpa Renacentista) | Josquin des Prez, Luis de Narváez, Arianna Savall | A Minor | 0 | 8A | 104 BPM | ||
| Pieces in D: La Bonita | Israel Golani | A♭ Major | 0 | 4B | 100 BPM | ||
| Forlorn Hope, P. 2 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Fantasia | Miguel de Fuenllana, Circa 1500 | F Major | 0 | 7B | 109 BPM | ||
| The Squirrel's Toy - Cutting's Comfort | Francis Cutting, Domenico Cerasani | C Major | 1 | 8B | 160 BPM | ||
| Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
| Fronimo: Ricercare del primo tuono | Vincenzo Galilei, Andrea Damiani | C Major | 2 | 8B | 129 BPM | ||
| Duets for 2 Lutes in a minor and F Major (Losy) - Gavotte | Edward Martin and Paul Berget | B Major | 1 | 1B | 111 BPM | ||
| Sonata in C Major (Weiss) - Largo | Edward Martin and Paul Berget | A♭ Minor | 0 | 1A | 92 BPM | ||
| Romanesca o Guardame las Vacas | Alonso Mudarra, Hopkinson Smith | E Minor | 1 | 9A | 113 BPM | ||
| Suite in D Minor: V. Gavotte | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 71 BPM | ||
| La belle homicide | Charles Mouton, Hopkinson Smith | A♭ Minor | 1 | 1A | 120 BPM | ||
| Suite in A Major: VI. Canaries | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Recercada Ruggero | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 175 BPM | ||
| Greensleeves | Francis Cutting, Nigel North | B♭ Major | 1 | 6B | 77 BPM | ||
| Armoniosi concerti sopra la chitarra spagnola: Alemanda Seconda (Arr. for Baroque Guitar and Theorbo by Albane Imbs) | Domenico Pellegrini, Albane Imbs, Rolf Lislevand | F♯ Major | 2 | 2B | 137 BPM | ||
| Da Ripa : Part III: Nunc Mater exora natum | Heringman | A Major | 0 | 11B | 96 BPM | ||
| Pavana lachrimae | Joachim van den Hove, Joachim Held | A Major | 2 | 11B | 164 BPM | ||
| Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
| Allemande No. 18 | Francis Cutting, The Silent Troubadour | G Minor | 1 | 6A | 90 BPM | ||
| Ein seer guter Organistischer Preambel | Hans Judenkünig, Nigel North | G Minor | 0 | 6A | 130 BPM | ||
| Suite in G Major: II. Allemande | Robert de Visée, Yasunori Imamura | C Major | 0 | 8B | 81 BPM | ||
| Fantasia No. 1 | Giovanni Paolo Paladino, Joachim Held | D♭ Major | 1 | 3B | 81 BPM |