"Wigenlied n.4" by Azzurra Musicians had its release date on June 3, 2002. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Wigenlied n.4's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Azzurra Musicians's "Lullabies - Wiegenlieder" album is number 1 out of 13. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Wigenlied n.4's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wigenlied n.4 by Azzurra Musicians to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, American Symphony Orchestra, Leopold Stokowski | D Major | 1 | 10B | 100 BPM | ||
| Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Agnus Dei | Georges Bizet, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E♭ Major | 1 | 5B | 90 BPM | ||
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Ye Spotted Snakes" | Felix Mendelssohn, Otto Klemperer, Heather Harper, Janet Baker, Philharmonia Chorus, Philharmonia Orchestra | G Major | 0 | 9B | 94 BPM | ||
| Messa di Gloria: Gloria in excelsis | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | B♭ Minor | 0 | 3A | 87 BPM | ||
| Fjäriln vingad syns på Haga, sång Nr. 64 | Carl Michael Bellman, Drottningholm Chamber Orchestra, Stig Westerberg | C Major | 1 | 8B | 96 BPM | ||
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Offenbach: La Belle Hélène: Ouverture | Jacques Offenbach, Marc Minkowski, Les Musiciens du Louvre | A Major | 2 | 11B | 82 BPM | ||
| Frédéric Chopin: Prelude op. 28 no. 19 in E Flat Major | Richard Settlement | A♭ Major | 1 | 4B | 92 BPM | ||
| Harmonies poétiques et religieuses III, S. 173: No. 6, Hymne de l'enfant à son réveil | Franz Liszt, Jenny Lin | A♭ Major | 1 | 4B | 131 BPM | ||
| Hajej, Nynej, Pepíčku Malej | Musica Bohemica | D Major | 1 | 10B | 142 BPM | ||
| Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
| Ne abscondas faciem tuam a me | Radoslaw Pallarz, Lydia Schimmer, Ensemble Memoria Tenere | D Minor | 1 | 7A | 81 BPM | ||
| Ka | Baksman | G Minor | 3 | 6A | 81 BPM | ||
| Elias, Op. 70, MWV A25, Part I: No. 2, Duet with Choir "Herr, höre unser Gebet!" | Felix Mendelssohn, Delphine Collot, Monica Groop, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
| Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM | ||
| Slavonic Dances, Series II, Op. 72: Mazur - Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Karel Sejna | C Major | 2 | 8B | 84 BPM | ||
| Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | ||
| A la música | Juan Pablo Fernández Ramos | C Major | 0 | 8B | 77 BPM | ||
| Piano Sonata No. 1 in C major, K. 279, II. Andante con moto | Michael Robinson | F Major | 2 | 7B | 142 BPM | ||
| J.S.Bach - Ch.Gounod. Ave Maria | Lina Mktrchyan (contralto) | C Major | 1 | 8B | 81 BPM | ||
| Dóminus pascit me (salmo 22) | Orfeón de Miravalles | D Minor | 1 | 7A | 138 BPM | ||
| Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM |