Alec Roth, Vikram Seth, Mark Padmore, Philippe Honoré, Alison Nicholls, Morgan Szymanski's ' "Songs in Time of War: Thoughts while Travelling at Night" was released on its scheduled release date, June 30, 2008. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Songs in Time of War". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Songs in Time of War: Thoughts while Travelling at Night is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Songs in Time of War: Thoughts while Travelling at Night by Alec Roth, Vikram Seth, Mark Padmore, Philippe Honoré, Alison Nicholls, Morgan Szymanski having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christe, qui lux es et dies: Christe, qui lux es et dies | William Byrd, Stile Antico | G Minor | 0 | 6A | 86 BPM | ||
| The Mass: Kyrie | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
| Vespro della Beata Vergine, SV 206: Sicut erat | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 2 | 6A | 55 BPM | ||
| O Mors Inevitabilis | Hieronymus Vinders, Graindelavoix, Björn Schmelzer | E Major | 2 | 12B | 142 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM | ||
| Rough Notes | Nico Muhly, The Tallis Scholars, Peter Phillips | D Major | 0 | 10B | 132 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | D Major | 0 | 10B | 132 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | D Major | 0 | 10B | 132 BPM | ||
| poor hymnal: No. 4, all who are hungry | David Lang, The Crossing, Donald Nally | G Major | 0 | 9B | 67 BPM | ||
| When the Earth Stands Still | Cantus | A♭ Major | 3 | 4B | 109 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| O nata lux | Lucy Walker, St Martin's Voices, Andrew Earis | F Major | 1 | 7B | 128 BPM | ||
| The Cherubic Hymn | Alexander Pierce Hill, Apollo5 | D Major | 0 | 10B | 132 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| No. 2, Bless the Lord, O My Soul | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Kaspars Putniņš | G Minor | 0 | 6A | 131 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIb. Et incarnatus est | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| After Lassus: VI. Sancti mei | Tom Coult, Anna Dennis, Andrew Gourlay, BBC Philharmonic | E Minor | 0 | 9A | 113 BPM | ||
| Beata Viscera I | Pérotin, Apollo5 | A Minor | 0 | 8A | 67 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| Daughter of the Vine (2024) | Diederik van der Laag, Oleksii Shamrytskyi, Sophia Chamber Choir | E Minor | 1 | 9A | 69 BPM | ||
| I Need Thee Every Hour | Laudate Mennonite Ensemble | F Minor | 0 | 4A | 79 BPM | ||
| Hymnen, Op. 140: IV. Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | D Major | 0 | 10B | 132 BPM | ||
| Vertue: I. Vertue | Judith Weir, George Herbert, The Choir of Magdalen College, Oxford, Mark Williams | D♭ Major | 1 | 3B | 84 BPM |