"Antitype" by The Intersphere had its release date on November 30, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "The Grand Delusion". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Antitype's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Antitype by The Intersphere having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prime | Maraton | D♭ Minor | 9 | 12A | 150 BPM | ||
| Empty Vows | Daniel Tompkins | F Minor | 7 | 4A | 162 BPM | ||
| Scarification/Induration | Walking Across Jupiter | F Minor | 9 | 4A | 90 BPM | ||
| Terminus | Time, The Valuator | B♭ Major | 9 | 6B | 115 BPM | ||
| Relations in the Unseen | The Intersphere | F♯ Major | 10 | 2B | 176 BPM | ||
| Lifnej | The Hirsch Effekt | D Major | 10 | 10B | 130 BPM | ||
| Belief | Arcane Roots | E Major | 9 | 12B | 160 BPM | ||
| If Nothing Breaks, Nothing Moves | Arcane Roots | D♭ Minor | 9 | 12A | 135 BPM | ||
| Dead Letters | Katatonia | A♭ Minor | 9 | 1A | 110 BPM | ||
| Perspectives | Thousand Thoughts | A♭ Major | 9 | 4B | 108 BPM | ||
| A Touch from the Sun | Noija | D♭ Major | 9 | 3B | 130 BPM | ||
| Adjust | Cold Night For Alligators | D Minor | 8 | 7A | 115 BPM | ||
| The Next Song | InMe | A Minor | 9 | 8A | 102 BPM | ||
| A Cell Divides | Haken | E♭ Minor | 7 | 2A | 140 BPM | ||
| Glass Built Castles | Black Peaks | D Major | 10 | 10B | 135 BPM | ||
| Reconnect (feat. Petter Carlsen) | Long Distance Calling, Petter Carlsen | G Major | 9 | 9B | 164 BPM | ||
| Hidden Passenger | Klone | A Minor | 8 | 8A | 160 BPM | ||
| Pressure | Rendezvous Point | F♯ Minor | 8 | 11A | 69 BPM | ||
| Ghosts & Typhoons | Pure Reason Revolution | D♭ Minor | 9 | 12A | 130 BPM | ||
| Cambrian II: Eternal Recurrence | The Ocean | B Minor | 9 | 10A | 128 BPM | ||
| The Raven | Black Orchid Empire | D♭ Minor | 9 | 12A | 112 BPM | ||
| Alone at Sea | The Pineapple Thief | C Major | 7 | 8B | 95 BPM | ||
| Keep Me in the Dark | Fiends | D Minor | 10 | 7A | 185 BPM | ||
| Holes in the Walls | The New Age | D♭ Major | 8 | 3B | 120 BPM | ||
| A Place in it All | Press to MECO | C Major | 5 | 8B | 120 BPM |