On January 1, 1960, the song "Talking Point (No. 2)" was released by Ralph Dollimore. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ralph Dollimore, Kenny Graham's "Kpm Brownsleeves: Kpmlpb 7" album is number 14 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Talking Point (No. 2)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Talking Point (No. 2) by Ralph Dollimore to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duel In The Dust | Sam Spence | D Major | 3 | 10B | 114 BPM | ||
| Poppin' Around | Bruce Campbell | D Major | 3 | 10B | 111 BPM | ||
| Perdido | Billy May & His Orchestra | C Minor | 3 | 5A | 121 BPM | ||
| Cafe Melody | Muzak Brass | F Minor | 4 | 4A | 144 BPM | ||
| High Flyer | Neil Richardson, Gordon Rees | G Major | 8 | 9B | 203 BPM | ||
| Dapper Don | Frank Chacksfield | G Major | 3 | 9B | 175 BPM | ||
| Highway Hullabaloo | Kenny Graham | B♭ Major | 5 | 6B | 96 BPM | ||
| Jungle Baby | Juan Erlando & His Latin Band | B♭ Major | 6 | 6B | 136 BPM | ||
| Chicken on the Rocks | Jean-Jacques Perrey | C Major | 8 | 8B | 155 BPM | ||
| Old-Fashioned (Beguine) | Xavier Cugat & His Orchestra | B♭ Major | 4 | 6B | 101 BPM | ||
| The Crime Busters | Ralph Dollimore | B Minor | 7 | 10A | 108 BPM | ||
| Gala Premiere | Laurie Johnson | G Major | 6 | 9B | 74 BPM | ||
| Piano Presto | Ted Atking, Alain Feanch | B Major | 2 | 1B | 180 BPM | ||
| Ocean Terminal | Ralph Dollimore | F Major | 6 | 7B | 149 BPM | ||
| Theme from Perry Mason | Royal Philharmonic Concert Orchestra | G Minor | 7 | 6A | 113 BPM | ||
| Cross Country Run | Gerhard Trede, THE GERHARD TREDE FILM ORCHESTRA | C Major | 4 | 8B | 128 BPM | ||
| Intermission | Combustible Edison | C Minor | 5 | 5A | 122 BPM | ||
| Background Blues | Otto Sieben | A Major | 6 | 11B | 122 BPM | ||
| The Fugitive Theme - Remastered | Si Zentner | C Major | 5 | 8B | 156 BPM | ||
| Soft Lights and Music | Gordon Rees | A Minor | 3 | 8A | 131 BPM | ||
| The Swingin' Eye | Si Zentner | F Minor | 5 | 4A | 146 BPM | ||
| Bell Hop | John Shakespeare | G Major | 4 | 9B | 172 BPM | ||
| Solitude Avenue | SVÁNNE | F Major | 3 | 7B | 102 BPM | ||
| Sergeant (X 1) | Ralph Dollimore | F Major | 5 | 7B | 98 BPM | ||
| Blue Mood (Die Jungen Ausreisserinnen) | Gert Wilden & Orchestra | D Minor | 3 | 7A | 126 BPM |