Rik's 'Impromptu No. 3 in G-Flat Major, Op. 90, D. 899' had a release date set for May 17, 2025. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 28 in the song's album "The Romantic Period, Vol. 3 (Relaxing Classical Piano Pieces)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Impromptu No. 3 in G-Flat Major, Op. 90, D. 899's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Impromptu No. 3 in G-Flat Major, Op. 90, D. 899 by Rik having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| Ständchen (Serenade), S. 560: Trans. from Schwanengesang No. 4, D. 957 | Rik | E Major | 0 | 12B | 66 BPM | ||
| Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM | ||
| Piano Sonata No. 11 in A Major, K. 331 "Alla Turca": III. Alla Turca | Exam Study Classical Music Orchestra | B Minor | 0 | 10A | 79 BPM | ||
| The Blue Danube Waltz, Op. 314 | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude | Iris Azquinezer | G Major | 1 | 9B | 140 BPM | ||
| Gnossienne No. 1 | Erik Satie, William Masselos | F Minor | 0 | 4A | 66 BPM | ||
| Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, Huub Claessens, Patrizia Biccirè, Werner Van Mechelen, Christiane Oelze, Monica Groop, Beatrice Cramoix, Harry Van Der Kamp, Yves Saelens, Philip Defrancq, Jean-Guy Devienne, Marie Kuijken, Choeur de Chambre de Namur, La Petite Ba | D Major | 4 | 10B | 134 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | ||
| Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
| Piano Sonata No.14 In C Sharp Minor Op.27/2 - 1st Movement: Moonlight | Berlin Symphonic Orchestra | D♭ Minor | 0 | 12A | 72 BPM | ||
| Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
| Liebesträume, S. 541: Liebestraume, S. 541/R. 211: No. 3, Nocturne in A-Flat Major | Franz Liszt, Balazs Szokolay | A♭ Major | 0 | 4B | 89 BPM | ||
| Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
| Adagio for Strings, Op. 11a | London Philharmonic Orchestra | B♭ Minor | 2 | 3A | 78 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
| Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM |