"Segundo capricho" by Héctor Rojas had its release date on 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 38 out of 186. On top of that, Mexico appears to be the country where this track was created. In terms of popularity, Segundo capricho is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Segundo capricho by Héctor Rojas to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clive's Song | Gerard Cousins | G Major | 2 | 9B | 129 BPM | ||
| Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| Castillos de España II: No. 6, Torija | Federico Moreno Torroba, Ana Vidović | D Major | 0 | 10B | 125 BPM | ||
| Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
| Hommage à Piazzolla | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Estampas Nocturnas: II. En tiempo del Rey Sol | Manuel Ponce, Enrique Bátiz, Royal Philharmonic Orchestra | B Minor | 0 | 10A | 84 BPM | ||
| 5 Bagatelles: IV. Sempre espressivo | William Walton, Ana Vidovic | B Minor | 0 | 10A | 117 BPM | ||
| Suite in D major: IV. Gavotte I | Adam Holzman, Manuel Ponce | D Major | 0 | 10B | 73 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Castillos de España II: No. 3, Alcaniz | Federico Moreno Torroba, Ana Vidović | D Major | 0 | 10B | 141 BPM | ||
| 4 Mazurkas : No. 1. Adelita | Norbert Kraft | F♯ Minor | 1 | 11A | 82 BPM | ||
| Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
| Keyboard Sonata in D Minor, R. 39 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | A Minor | 2 | 8A | 86 BPM | ||
| Nocturne 2 Op.4 | Sergii Petrenko, Johann Kaspar Mertz | C Major | 2 | 8B | 108 BPM | ||
| Study in E Minor op. 60 no. 22 | Fernando Sor, Søren Bødker Madsen | E Minor | 1 | 9A | 117 BPM | ||
| Estampas Nocturnas: IV. Scherzo de Puck | Manuel Ponce, Enrique Bátiz, Royal Philharmonic Orchestra | B Minor | 0 | 10A | 84 BPM | ||
| With the Moon at my Desk | Gerard Cousins | G Major | 2 | 9B | 129 BPM | ||
| Canarios | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 103 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Rodrigo: Concierto De Aranjuez: 3. Allegro Gentile | Paco de Lucía, Orquesta De Cadaques, Edmon Colomer | D Major | 3 | 10B | 167 BPM | ||
| Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
| Pièces de clavecin, Book 2: 6e Ordre: V. Les Barricades Mystérieuses (Arr. for Guitar by Mats Bergström) | Mats Bergström | C Major | 2 | 8B | 112 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Song without Words, Op. 30, No. 6, Venetian Boat Song II | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 67 BPM | ||
| Romance sans paroles, Op. 23 (Arr. by Söllscher) | Karl Davydov, Jian Wang, Göran Söllscher | G Major | 0 | 9B | 103 BPM | ||
| Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM |