"End Title: Midway March" by John Williams had its release date on January 1, 1998. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. End Title: Midway March's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Williams's "Midway (Original Motion Picture Score)" album is number 22 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, End Title: Midway March is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of End Title: Midway March by John Williams to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Homeward Bound: King Arthur's Theme (From Monty Python and the Holy Grail) | San Fernando Symphonic Assembly | F Major | 8 | 7B | 111 BPM | ||
| Narnia (Epic Main Theme) | Pianistec | D♭ Minor | 2 | 12A | 87 BPM | ||
| Hedwig's Theme | John Williams | D Minor | 2 | 7A | 73 BPM | ||
| Baby's Wild Ride | David Newman | F Major | 8 | 7B | 85 BPM | ||
| Vide Cor Meum | Patrick Cassidy, Anthony Hopkins, Danielle de Niese, Bruno Lazzaretti, Libera, The Lyndhurst Orchestra, Gavin Greenaway | A Major | 2 | 11B | 84 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| In Noctem | Nicholas Hooper | C Minor | 1 | 5A | 64 BPM | ||
| Fratelli Chase | Dave Grusin | D Minor | 4 | 7A | 80 BPM | ||
| Walk The Plank | Klaus Badelt | D Major | 3 | 10B | 122 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| Love Theme - From "Romeo and Juliet" | Maurice Jarre, Nino Rota, Royal Philharmonic Orchestra;Tolga Kashif | E♭ Minor | 2 | 2A | 169 BPM | ||
| Your Father Would Be Proud | Michael Giacchino | G Major | 1 | 9B | 140 BPM | ||
| Saddest Part Of Day | Craig Armstrong | C Major | 1 | 8B | 110 BPM | ||
| Truman Sleeps | Philip Glass | A♭ Major | 1 | 4B | 109 BPM | ||
| Il Postino: Theme | Luis Bacalov, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 173 BPM | ||
| President's Speech | Harald Kloser | A Minor | 1 | 8A | 133 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| Keating's Triumph - From "Dead Poets Society" | Maurice Jarre | B♭ Major | 2 | 6B | 88 BPM | ||
| The Godfather Waltz (Main Title) | Nino Rota, Carlo Savina | C Minor | 1 | 5A | 62 BPM | ||
| Out of Africa | John Barry | C Major | 1 | 8B | 173 BPM | ||
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM | ||
| Discovery Of Kiss / Press Conference | Craig Armstrong | C Major | 1 | 8B | 82 BPM | ||
| Raising the Sail | Philip Glass | G Minor | 0 | 6A | 108 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| The Man in the Iron Mask | Philharmonic Wind Orchestra & Marc Reift Orchestra | D Major | 5 | 10B | 157 BPM |