Dependence's 'Reaching to Both Ends' had a release date set for May 1, 2015. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dependence's "Holding on When Moving On" album is number 10 out of 10. Based on our statistics, Reaching to Both Ends's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Reaching to Both Ends by Dependence to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bury It | Perspectives | G Major | 9 | 9B | 174 BPM | ||
| Sleep | Casey | E Minor | 9 | 9A | 164 BPM | ||
| I Knew You Wouldn't Leave | Sleepshaker | A Minor | 10 | 8A | 93 BPM | ||
| Almost There | Heart In Hand | F♯ Minor | 9 | 11A | 200 BPM | ||
| Let Me Leave You | Whatever, Forever | A♭ Major | 9 | 4B | 75 BPM | ||
| All I Am Is Alone | No Home | F Minor | 10 | 4A | 95 BPM | ||
| Five Years | Parkwood | A Major | 9 | 11B | 122 BPM | ||
| Lost | Departures | A Minor | 10 | 8A | 140 BPM | ||
| Goodbye | Parkwood | D♭ Minor | 5 | 12A | 125 BPM | ||
| Admitting You're Alive | The Saddest Landscape | A Minor | 6 | 8A | 150 BPM | ||
| Make a Home Of Me | Ghost Chant | E Minor | 10 | 9A | 105 BPM | ||
| I Hated | The Elijah | A Minor | 5 | 8A | 109 BPM | ||
| Blanket the World | It Prevails | D♭ Minor | 7 | 12A | 145 BPM | ||
| I Created | The Elijah | D Minor | 8 | 7A | 114 BPM | ||
| So Tell Me | That Night Forests Grew | F♯ Major | 5 | 2B | 112 BPM | ||
| Where We Sleep Is Where We Dream | Hotel Books | D Major | 9 | 10B | 138 BPM | ||
| Kim Pine | Whatever, Forever | D Minor | 8 | 7A | 90 BPM | ||
| Sleep Talk | Sleep Talk | A♭ Major | 10 | 4B | 120 BPM | ||
| Ann Liv Young | Gatherers | G Major | 9 | 9B | 74 BPM | ||
| Waiting | Departures | D Major | 9 | 10B | 128 BPM | ||
| The Only Constant | Grandview | D Major | 7 | 10B | 134 BPM | ||
| Ain't Nobody Perfect | Being As An Ocean | E♭ Minor | 9 | 2A | 174 BPM | ||
| Upper Tract, WV | Birthright | F Major | 9 | 7B | 135 BPM | ||
| Home. | September Stories | D Major | 6 | 10B | 140 BPM | ||
| Providence | Landscapes | B♭ Minor | 7 | 3A | 112 BPM |