"Glassworks: II. Floe" by Signal, Michael Riesman had its release date on 2011. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Philip Glass: Glassworks - Live at (le) Poisson Rouge". In this album, this song's track order is #2. In terms of popularity, Glassworks: II. Floe is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Glassworks: II. Floe by Signal, Michael Riesman having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Whole Truth | Carlos Cipa | B♭ Major | 1 | 6B | 140 BPM | ||
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| Improvisation in E minor | Rival Consoles | B Minor | 1 | 10A | 175 BPM | ||
| Every Ending Is a New Beginning | Joep Beving | D♭ Major | 0 | 3B | 71 BPM | ||
| Opening - Glassforms Version Edit | Bruce Brubaker, Max Cooper | E♭ Major | 2 | 5B | 67 BPM | ||
| Inanna (From "Inanna") | Armand Amar | B♭ Minor | 2 | 3A | 180 BPM | ||
| Ecartele: Less than a Year | Damian Marhulets, Szymanowski Quartet, Marina Baranova | D Minor | 1 | 7A | 120 BPM | ||
| Leaving Wallbook | Daniel Selke, Sebastian Selke, Ceeys | A Minor | 2 | 8A | 126 BPM | ||
| Maximilian's Masterplan | Pieter de Graaf | B Minor | 4 | 10A | 162 BPM | ||
| The Path | Zoë Keating | F♯ Major | 2 | 2B | 131 BPM | ||
| Metamorphosis: Two | Philip Glass | A Minor | 5 | 8A | 180 BPM | ||
| A Song for Europa | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F Minor | 1 | 4A | 72 BPM | ||
| Disorder - Live | Maxence Cyrin | E♭ Major | 2 | 5B | 69 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| Rolling | Roedelius, Arnold Kasar | A Major | 2 | 11B | 151 BPM | ||
| Suite from "The Hours" - Movement III | Maki Namekawa, Cello Octet Amsterdam | G Minor | 1 | 6A | 135 BPM | ||
| Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
| On the Nature of Daylight – Written on the Sky (From “The Blue Notebooks” and “Disconnect”) | Angèle Dubeau, La Pietà | B♭ Minor | 1 | 3A | 77 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| AMS | Martin Kohlstedt | A Minor | 1 | 8A | 79 BPM | ||
| Prelude | Joep Beving | F♯ Major | 1 | 2B | 100 BPM | ||
| Timelapse | Uno Helmersson, Mari Samuelsen, Jesper Söderqvist, Gunnar Flagstad, TrondheimSolistene | G Minor | 2 | 6A | 105 BPM | ||
| Threnody | Goldmund | D Major | 0 | 10B | 71 BPM | ||
| 1.1 Prelude | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 3 | 9B | 140 BPM | ||
| Light | Poppy Ackroyd, Joe Acheson, Ben Thackeray, Mandy Parnell, Poppy Ackroyd;Joe Acheson;Ben Thackeray;Mandy Parnell | E♭ Minor | 1 | 2A | 101 BPM |