13. Hold, Monsters! by Arthur Sullivan, Valerie Masterson, John Reed, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey Song Details

Arthur Sullivan, Valerie Masterson, John Reed, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey's ' "13. Hold, Monsters!" was released on its scheduled release date, January 1, 1968. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 14 out of 40. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 13. Hold, Monsters! is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of 13. Hold, Monsters! by Arthur Sullivan, Valerie Masterson, John Reed, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -18.017 dB
Acousticness: 91%
Danceability: 57%
Energy: 17%
Instrumentalness: 0%
Liveness: 26%
Loudness: 70%
Speechiness: 24%
Valence: 53%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
40. Small Titles and Orders for Mayors and Recorders	Arthur Sullivan, Lyndsie Holland, John Reed, Royal Philharmonic Orchestra, Royston Nash	A♭ Major	2	4B	132 BPM
Apology	The Charlottetown Festival	B♭ Major	1	6B	113 BPM
Where Is The Life That Late I Led?	Broadway Cast Recording	F Major	4	7B	76 BPM
Buddy's Blues	Peter Forbes, Emily Langham, Aimee Hodnett	F Major	6	7B	164 BPM
Un ballo in maschera, Act II: Seguitemi - Ve', se di notte	Giuseppe Verdi, Renato Bruson, Katia Ricciarelli, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi	B♭ Minor	1	3A	78 BPM
Sara Lee	Jim Walton, Karen Mason, Brenda Pressley, Karen Ziemba	G Major	1	9B	145 BPM
The Show Biz	Jim Corti, Lynnette Perry	D Major	2	10B	92 BPM
Sighing Softly to the River	The Pirates Of Penzance	F Major	2	7B	125 BPM
Dance Of Anna and Sir Edward - 2023 DigiMIX Remaster	Alec McCowen	B♭ Major	2	6B	97 BPM
Paris Original	Bonnie Scott, Claudette Sutherland, Mara Landi, How to Succeed in Business Without Really Trying Ensemble	B♭ Minor	3	3A	99 BPM
I Shall Scream!	James Saxon, Jenny Galloway	C Major	2	8B	122 BPM
39. Poor wand'ring ones, though ye have surely straye	Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey	A♭ Major	1	4B	113 BPM
Luck Be A Lady	New York Theatre Of The Arts	A♭ Major	6	4B	77 BPM
Oh, Better Far to Live and Die	The Pirates Of Penzance	F♯ Major	4	2B	107 BPM
Luisa Fernanda, Acto ii: Para comprar a un hombre	Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné	G Major	3	9B	66 BPM
Candide, Act I: No. 7, Candide's Lament	Leonard Bernstein, Jerry Hadley, London Symphony Orchestra	F Major	0	7B	85 BPM
Humperdinck : Hänsel und Gretel : Act 3 "Halt! Hokuspokus, Hexenschuss!" [The Nibblewitch, Gretel, Hänsel]	Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra	B♭ Major	1	6B	103 BPM
Péchés de vieillesse, Vol. 2 "Album français": No. 4, Complainte à 2 voix "Un sou"	Gioachino Rossini, Alessandro Luciano, Vittorio Prato, Alessandro Marangoni	C Major	3	8B	81 BPM
Winkies March	The Winkies	D Minor	1	7A	69 BPM
Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail)	Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française	E♭ Major	1	5B	88 BPM
H.M.S. Pinafore / Act 1: Sir Joseph's barge is seen	Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	A Major	3	11B	101 BPM
An English Gentleman - Original Cast Recording/1986	Thomas Toner	C Major	1	8B	119 BPM
Candide / Act II: 24. Bon Voyage	Leonard Bernstein, Nicolai Gedda, London Symphony Orchestra, London Symphony Chorus	B♭ Major	4	6B	95 BPM
10. First you're born (King, Scaphio, Phantis)	Arthur Sullivan, John Reed, Kenneth Sandford, John Ayldon, Royal Philharmonic Orchestra, Royston Nash	C Major	3	8B	96 BPM
Stay, We Must Not Lose Our Senses	The Pirates Of Penzance	G Major	5	9B	137 BPM