"サウジアラビア王国 サウジアラビアの国歌" by Abdul Rahman Al-Khateeb, Kazuki Yamada, 東京混声合唱団, 斎木ユリ had its release date on November 25, 2020. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 山田和樹アンセム・プロジェクト 世界の国歌7 シルクロード, so we believe that "サウジアラビア王国 サウジアラビアの国歌" is a single. サウジアラビア王国 サウジアラビアの国歌 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of サウジアラビア王国 サウジアラビアの国歌 by Abdul Rahman Al-Khateeb, Kazuki Yamada, 東京混声合唱団, 斎木ユリ is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dona nobis pacem: Beat! Beat! Drums! | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | C Major | 2 | 8B | 83 BPM | ||
| Will there really be a "Morning"? | Craig Hella Johnson, Choral Arts, Anonymous, Robert Bode | F♯ Major | 0 | 2B | 68 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 10, Proficiscere, anima Christiana (The Priest) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt | D Major | 2 | 10B | 86 BPM | ||
| Jubilate Deo: IV. Ngokujabula! | Rivertree Singers Festival Chorus, Rivertree Singers, Warren Cook | C Major | 6 | 8B | 96 BPM | ||
| Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | E♭ Major | 0 | 5B | 77 BPM | ||
| In Remembrance | Eleanor Daley, Messiah College Concert Choir, Rebecca Thomas, Linda L. Tedford | E Major | 1 | 12B | 77 BPM | ||
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Hymen I | Magalí Sare, Cor Bruckner Barcelona | G Major | 0 | 9B | 101 BPM | ||
| Segalariak | Phoenix Chamber Choir, Josu Elberdin | F Major | 2 | 7B | 118 BPM | ||
| The Pasture - Randall Thompson | Randall Thompson, Exultate | F Major | 0 | 7B | 73 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Hiding Place | Heart Cry Ensemble | B♭ Minor | 0 | 3A | 81 BPM | ||
| The Armed Man (Ensemble Version): X. Agnus Dei | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | C Major | 0 | 8B | 67 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Maak Ons Hart Onrustig (Live) | Christelijk Mannenkoor Soli Deo Gloria Urk, Jaap Kramer, Harm Hoeve, Johan Bredewout | G Major | 1 | 9B | 136 BPM | ||
| Requiem for the Living: V. Lux aeterna | Dan Forrest, Wiktoria Zawistowska, Rafał Majzner, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | G Major | 1 | 9B | 128 BPM | ||
| L'Orfeo, SV 318, Act III: Sol tu, nobile dio | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM | ||
| Ecce quan bonum (salmo 132) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM | ||
| Le nozze di Figaro, K. 492: "Porgi Amor" | Paris Faith Winter, Tammy L. Hall | E♭ Major | 0 | 5B | 139 BPM | ||
| When Memory Fades | Atlanta Master Chorale, Eric Nelson | G Major | 0 | 9B | 129 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM |