Tony Booth's ' "Happy Hour" was released on its scheduled release date, October 1, 2009. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Happy Hour's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Essential Tony Booth". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Happy Hour's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Happy Hour by Tony Booth having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Shoes Keep Walking Back To You | George Jones and Gene Pitney | F♯ Major | 3 | 2B | 125 BPM | ||
| Play Another Slow Song | Johnny Duncan | A Major | 4 | 11B | 88 BPM | ||
| The Lady In the Blue Mercedes - Single Version | Johnny Duncan | G Minor | 6 | 6A | 108 BPM | ||
| Same Old Town | Skeets McDonald | D♭ Major | 4 | 3B | 145 BPM | ||
| Caffeine | wendycountry68 | D Major | 6 | 10B | 126 BPM | ||
| Whiskey River | Johnny Bush | E Major | 6 | 12B | 135 BPM | ||
| I'd Follow You Anywhere | The Derailers | F♯ Major | 2 | 2B | 80 BPM | ||
| I Need It | wendycountry68 | F Major | 5 | 7B | 127 BPM | ||
| I Got A Dog That Licks Peanut Butter Off My Sack (1971) | Lost Vinyl Revival, Harlan Dustwood | G Major | 5 | 9B | 75 BPM | ||
| Heart over Mind | Teea Goans | A Major | 6 | 11B | 120 BPM | ||
| I'm Walking Behind You | Midnight Special | E Major | 4 | 12B | 113 BPM | ||
| Your Heart Turned Left (And I Was On The Right) | Don Rich | F Major | 8 | 7B | 194 BPM | ||
| I'm Ashamed of You | Amber Digby | D Major | 5 | 10B | 127 BPM | ||
| Play Me the Truth | Tony Booth | G Major | 4 | 9B | 121 BPM | ||
| Two Arms, Two Lips, Too Lonely, Too Long | Teea Goans | C Major | 6 | 8B | 125 BPM | ||
| Shoes | Jody Nix | A Major | 5 | 11B | 135 BPM | ||
| I'll Cry Again Tomorrow | Carl Butler | G Major | 3 | 9B | 130 BPM | ||
| You're Still On My Mind | Amber Digby | F Major | 4 | 7B | 90 BPM | ||
| I Would Have Loved You All Night Long | Doug Supernaw | F Major | 4 | 7B | 106 BPM | ||
| But I Do | Vince Gill, Paul Franklin | F Major | 4 | 7B | 108 BPM | ||
| The Lonesome Truck Driver's Waltz | David Price | C Major | 2 | 8B | 94 BPM | ||
| Slippin' Away | Jean Shepard | F♯ Major | 5 | 2B | 108 BPM | ||
| The Very Best Is You | Charly McClain | E Major | 3 | 12B | 175 BPM | ||
| East of Midnight | ROY BAHAM | C Major | 2 | 8B | 104 BPM | ||
| Baby Sister | Vernon Oxford | C Major | 3 | 8B | 99 BPM |