"Money Beat" by Rael Jones had its release date on 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Rael Jones's "Harlots: Seasons 2 (Original Series Soundtrack)" album is number 14 out of 27. On top of that, United States appears to be the country where this track was created. Based on our statistics, Money Beat's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Money Beat by Rael Jones to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beatrix & Norman | Nigel Westlake | F Major | 1 | 7B | 142 BPM | ||
| Emma Woodhouse Was Born | Samuel Sim | G Minor | 1 | 6A | 128 BPM | ||
| Expansion Project | Samuel Sim | D♭ Major | 2 | 3B | 166 BPM | ||
| Zero | Hans Zimmer | C Major | 2 | 8B | 144 BPM | ||
| Jamie's Memory | Alex Heffes | D♭ Minor | 1 | 12A | 174 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| The Wedding | Maurizio Malagnini | C Major | 2 | 8B | 77 BPM | ||
| Circular Argument | Peter Gregson, Rael Jones | F Minor | 3 | 4A | 86 BPM | ||
| The Boys Arrive | John Debney | B♭ Major | 1 | 6B | 120 BPM | ||
| Sand Between Stars | Joseph R Dolan, Ghibli | A Major | 3 | 11B | 142 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Sandgrouse | David Schweitzer | C Major | 2 | 8B | 65 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| Intern Slash Best Friend | Theodore Shapiro | D Major | 2 | 10B | 148 BPM | ||
| A Perfect Wedding Day | Randy Edelman | A♭ Major | 2 | 4B | 119 BPM | ||
| Whispers in the Shadows | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Reports from Godmersham | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| Once Again on the Bridge | Maurizio Malagnini | D Major | 0 | 10B | 183 BPM | ||
| Travelling to Marly | Peter Gregson | B Minor | 0 | 10A | 76 BPM | ||
| Sabrina | John Williams | F Major | 1 | 7B | 89 BPM | ||
| Melodicas | Armonias | F Major | 3 | 7B | 67 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| A Perfect Dinner | Carlos Rafael Rivera | F♯ Minor | 2 | 11A | 80 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM |