Rik Schaffer's 'To Live Forever' had a release date set for June 25, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vampire: The Masquerade - Bloodlines (More Music From the Vault) by Rik Schaffer. The song's track number on the album is #12 out of 21 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, To Live Forever's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since To Live Forever by Rik Schaffer has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With To Live Forever being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Quejío | Carlos Viola | A Minor | 5 | 8A | 150 BPM | ||
| In Love with Human Beings | fingerspit | C Minor | 3 | 5A | 152 BPM | ||
| The Lady | Olivier Deriviere | D Minor | 1 | 7A | 137 BPM | ||
| The Keys for Elysium | Craig Stuart Garfinkle, Eimear Noone | G Minor | 3 | 6A | 117 BPM | ||
| A Sharp Mind | Craig Stuart Garfinkle, Eimear Noone | A Major | 5 | 11B | 140 BPM | ||
| Turned Around | Cicada Sirens | B♭ Major | 0 | 6B | 80 BPM | ||
| Wretched Weaponry: Medium/Dynamic | 岡部啓一 | C Major | 8 | 8B | 148 BPM | ||
| R.P.D. Hall | Masami Ueda | A♭ Major | 1 | 4B | 80 BPM | ||
| Worship the Endless | Arnaud Roy | D♭ Minor | 3 | 12A | 130 BPM | ||
| Rain of Brass Petals | andrewa, Akira Yamaoka | C Major | 5 | 8B | 89 BPM | ||
| Bygone Days Still Beautiful | Noah Smith Sound | D♭ Major | 1 | 3B | 86 BPM | ||
| Hermana Mía | Carlos Viola | G Major | 1 | 9B | 91 BPM | ||
| Prague | Atanas Valkov | B♭ Minor | 3 | 3A | 110 BPM | ||
| Blood | Jarren Crist | D♭ Minor | 4 | 12A | 123 BPM | ||
| 死海・滅びの塔 | Yasunori Mitsuda | F Minor | 2 | 4A | 174 BPM | ||
| Saferoom | Miwako Chinone | F♯ Minor | 0 | 11A | 94 BPM | ||
| Come Again | Nolan Reese | C Major | 8 | 8B | 94 BPM | ||
| Schwanengesang, D. 957: IV. Ständchen (v0.10.27) | 1000 Eyes | E Minor | 1 | 9A | 124 BPM | ||
| Que Las Campanas Me Doblen | Carlos Viola | D Minor | 3 | 7A | 60 BPM | ||
| A Moment's Respite I | Shusaku Uchiyama | D Minor | 5 | 7A | 139 BPM | ||
| Theme of Brujah | Atanas Valkov | A♭ Major | 8 | 4B | 156 BPM | ||
| Melencolia I | Rising Shadows | F Major | 4 | 7B | 80 BPM | ||
| Old Yharnam | Solas Composer | B♭ Minor | 3 | 3A | 90 BPM | ||
| Untitled 2 | Artur Kordas | F♯ Major | 2 | 2B | 106 BPM | ||
| Those Are Pearls That Were Her Eyes | Mickymar Productions Ltd | A Minor | 3 | 8A | 176 BPM |