"4 Twilight Preludes, Op. 14: No. 3, Grazioso" by George Dyson, Simon Callaghan had its release date on October 16, 2020. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 4 Twilight Preludes, Op. 14: No. 3, Grazioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 33 out of 57 in Dyson: Complete Music for Piano by George Dyson, Simon Callaghan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 4 Twilight Preludes, Op. 14: No. 3, Grazioso is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 4 Twilight Preludes, Op. 14: No. 3, Grazioso by George Dyson, Simon Callaghan is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holberg Suite, opus 40:Sarabande (Andante) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 134 BPM | ||
| Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
| Straussiana | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | B♭ Major | 2 | 6B | 153 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Karelia Suite, Op. 11: II. Ballade. Tempo di menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Leif Segerstam | A Minor | 1 | 8A | 135 BPM | ||
| A Song of the Night, Op. 19, No. 1, H. 74 | Gustav Holst, Janice Graham, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Evening Service in D Major: I. Magnificat | George Dyson, Exeter Cathedral Choir, Paul Morgan, Lucian Nethsingha | E♭ Major | 1 | 5B | 62 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! quante volte (Arr. for Solo Trumpet by William Foster) | Vincenzo Bellini, Matilda Lloyd, Britten Sinfonia, Rumon Gamba | G Major | 0 | 9B | 90 BPM | ||
| Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Dvořák: Evening Songs, Op. 31, B. 61: No. 7, When I Was Looking to the Sky (Arr. Braun for Trumpet and Orchestra) | Antonín Dvořák, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | A Minor | 1 | 8A | 71 BPM | ||
| 3 Songs of Praise: II. Lauds | George Dyson, St. Michael's Singers, Jonathan Rennert, Thomas Trotter | G Minor | 1 | 6A | 82 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Orpheus Chamber Orchestra | G Major | 0 | 9B | 93 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Way Out West (Arr. For Oboe) | Diana Doherty | E Major | 1 | 12B | 63 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM |