Albert de Rippe, Paul O'Dette's ' "Or vien ça vien mamie Perrette" was released on its scheduled release date, October 18, 2019. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Rippe: Works for lute 'Un perfaict sonneur de Leut'". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. In terms of popularity, Or vien ça vien mamie Perrette is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Or vien ça vien mamie Perrette by Albert de Rippe, Paul O'Dette having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crabbe Schaw (Intrada) | Johann Grabbe, Capella De La Torre, Katharina Bauml | A Minor | 2 | 8A | 144 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| Cleopatre Amante - Double | Denis Gaultier, Toyohiko Satoh | F Minor | 1 | 4A | 119 BPM | ||
| Wie möcht ich fröhlich werden | Melchior Neusidler, Paul O'Dette | G Minor | 0 | 6A | 146 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Prélude | Pierre Attaingnant, Hopkinson Smith | F♯ Minor | 1 | 11A | 127 BPM | ||
| Dio: Re. Mi. Fa. Sol. La | Diomedes Cato, Joachim Held | F♯ Minor | 1 | 11A | 87 BPM | ||
| Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM | ||
| Intabulatura de lauto, Book 1: Ricercare a Juli amours | Francesco Spinacino, Massimo Marchese | B♭ Major | 1 | 6B | 123 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
| Pieces in A Minor: I. Allemande | Jean Mercure, Anders Ericson | D♭ Major | 0 | 3B | 87 BPM | ||
| D'un feu secret je me sens consumer | Michel Lambert, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Maricapalos | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | A Minor | 1 | 8A | 84 BPM | ||
| Obras de musica para tecla, arpa y vihuela: No. 79, Diferencias sobre "El Canto del Caballero" - Version for Consort of 4 Viols and Harp | Antonio de Cabezón, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 119 BPM | ||
| Suite in D minor: Allemande | Israel Golani | D♭ Minor | 0 | 12A | 129 BPM | ||
| Gerle : Newsidler : Scaramella | Heringman | D Major | 1 | 10B | 88 BPM | ||
| Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) | Francesco da Milano, Johannes Matelart, Konrad Ragossnig, Hanni Widmer | G Minor | 1 | 6A | 105 BPM | ||
| Dezilde al Cavallero que | Diego Pisador, Juan Carlos Rivera | F Major | 0 | 7B | 90 BPM | ||
| Pieces in D: La Vielle | Israel Golani | D♭ Major | 2 | 3B | 145 BPM | ||
| Seis diferencias del igno de Nuestra Señora O gloriosa domina, Book IV | Luis de Narváez, Xavier Diaz-Latorre | B♭ Minor | 1 | 3A | 101 BPM | ||
| Chiacona - ensemble edit | Francesco Corbetta, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | B Major | 1 | 1B | 120 BPM | ||
| Gloria - Egardus | Folger Consort | F Major | 0 | 7B | 79 BPM | ||
| Ricercare No. 7 - Balletto - De tous biens pleine - La Spagna: Recercar sesto - Balletto - De tous biens pleine - La Spagna | Vincenzo Capirola, Jakob Lindberg | C Major | 1 | 8B | 107 BPM |