Boy George's 'Be Good To Yourself' had a release date set for August 8, 2025. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "SE18 (Deluxe)". In this album, this song's track order is #1. Based on our statistics, Be Good To Yourself's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Be Good To Yourself by Boy George having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alejandro Jodorowsky's Arrival In Taos | The Waterboys | G Major | 8 | 9B | 98 BPM | ||
| Taking The Edge Off Me | Rialto | C Major | 6 | 8B | 122 BPM | ||
| Don't Look Back - Thompson/Barbiero Extended Version | Fine Young Cannibals, Michael Barbiero, Steve Thompson | F Minor | 8 | 4A | 122 BPM | ||
| WAKE UP! (& Smile) | Franklin & Bell | C Major | 9 | 8B | 177 BPM | ||
| Blue - Remastered | Fine Young Cannibals | F Minor | 8 | 4A | 122 BPM | ||
| Keep Me In Mind | Boy George | A♭ Major | 6 | 4B | 103 BPM | ||
| Why Are You Calling | Saint Etienne | C Minor | 6 | 5A | 115 BPM | ||
| You Used to Laugh - Original 2013 Recording | Sparks | D Minor | 3 | 7A | 99 BPM | ||
| Lover | Richard Ashcroft | E Minor | 7 | 9A | 96 BPM | ||
| Lies So Deep | Andy Bell, Sarah Potenza | F♯ Minor | 8 | 11A | 128 BPM | ||
| Late to the Party | Perspective. | D♭ Major | 7 | 3B | 80 BPM | ||
| One Thread | Sean O'Reilly, Charlotte Martin | E♭ Major | 8 | 5B | 125 BPM | ||
| New Breed | Blackbirds FC | E Minor | 7 | 9A | 117 BPM | ||
| Connie and Sam | Deacon Blue | E♭ Major | 7 | 5B | 110 BPM | ||
| The Thin Wall - Single Version | Ultravox | A Major | 6 | 11B | 178 BPM | ||
| No One Is To Blame - (Early Version) [Farmyard Sessions] | Howard Jones | A Major | 4 | 11B | 94 BPM | ||
| Today | Turin Brakes | A Major | 4 | 11B | 137 BPM | ||
| I Met The Buddha at a Downtown Party | David Byrne, Ghost Train Orchestra | C Major | 7 | 8B | 180 BPM | ||
| Please | Matías Roden | C Minor | 9 | 5A | 125 BPM | ||
| Charlie The Wonderdog | Bryan Adams | A Minor | 10 | 8A | 124 BPM | ||
| Damn Well Please | Ron Sexsmith | F Major | 5 | 7B | 141 BPM | ||
| Layers | Sophie Ellis-Bextor | G Minor | 9 | 6A | 115 BPM | ||
| Getting High (On Your Own Supply) | WALTHER, Boy George | D Major | 8 | 10B | 123 BPM | ||
| Two Lovers | Saint Etienne | C Minor | 6 | 5A | 115 BPM | ||
| Disco Misfits | Pop Will Eat Itself | D♭ Major | 9 | 3B | 164 BPM |