On June 25, 1960, the song "Orey Oru Ooriley" was released by T. M. Soundararajan, Soolamangalam Rajalakshmi. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Padikkatha Medhai". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Orey Oru Ooriley's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Orey Oru Ooriley by T. M. Soundararajan, Soolamangalam Rajalakshmi having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Endru Ninaithale | Soolamangalam Sisters | C Major | 5 | 8B | 177 BPM | ||
| Naanathale Kannam | Veda, Kannadasan | C Major | 4 | 8B | 98 BPM | ||
| Vennilavae Vennilavae | P. Leela | E Major | 5 | 12B | 143 BPM | ||
| Aadi Adangum | Sirkazhi Govindarajan | G Major | 2 | 9B | 87 BPM | ||
| Annaiyum Thanthaiyum | M. K. Thyagaraja Bhagavathar | E Minor | 4 | 9A | 88 BPM | ||
| Poovae Ithu | B.S. Sasirekha | A♭ Major | 8 | 4B | 101 BPM | ||
| Velli Nila | T. M. Soundararajan | F Major | 3 | 7B | 130 BPM | ||
| Venkaaya Sambarum - From "Paneer Pushpangal" | T.K.S.Kalaivanan, Deepan Chakravarthy, Surender, Jothi Raman | F Major | 8 | 7B | 141 BPM | ||
| Velava | A. R. Ramani Ammal | F Minor | 8 | 4A | 106 BPM | ||
| Naaranar Enum | Pithukuli Murugadas | C Minor | 5 | 5A | 115 BPM | ||
| Nyan Nyan Paadanum | Jency Anthony | E Minor | 6 | 9A | 117 BPM | ||
| Paatum Naahe | Sivaji Ganesan | B♭ Major | 7 | 6B | 109 BPM | ||
| Mutthukku Mutthaga (From "Anbu Sagothrargal") | Ghantasala | C Major | 3 | 8B | 64 BPM | ||
| Iyarkai Ennum | S. P. Balasubrahmanyam, P. Susheela, Kannadasan | D♭ Minor | 4 | 12A | 127 BPM | ||
| Nilavu Oru Pennaagi | T. M. Soundararajan | A♭ Major | 7 | 4B | 75 BPM | ||
| Poovagi Kaayagi | Bhanumathi Ramakrishna | E♭ Major | 4 | 5B | 144 BPM | ||
| Raghupathi Raghava | Veeramanidaasan | B Minor | 5 | 10A | 107 BPM | ||
| Kodi Asainthathum - Revival | P. Susheela, T. M. Soundararajan | F Major | 4 | 7B | 148 BPM | ||
| Maargazhi Thingal | Pithukuli Murugadas | E Minor | 5 | 9A | 159 BPM | ||
| Ammadi Ponnukku | T. M. Soundararajan | E♭ Major | 6 | 5B | 119 BPM | ||
| Thanga Thamarai | Soolamangalam Sisters | F Major | 4 | 7B | 83 BPM | ||
| Kathal Ennum Kovil | P. Jayachandran | C Major | 3 | 8B | 64 BPM | ||
| Aada Sonnaarea | Jency, Panchu Arunachalam | A Major | 6 | 11B | 98 BPM | ||
| Sivanadiyarai | Harish | D Major | 4 | 10B | 94 BPM | ||
| Yenga Muthumaariamma | Puthugai Manimaran | F Major | 6 | 7B | 90 BPM |