"Feeding Time" by Scott R. Morgan had its release date on May 1, 2012. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Feeding Time's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Prototype 2 (Official Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Feeding Time is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Feeding Time by Scott R. Morgan having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For The Craftworld | Doyle W. Donehoo | C Major | 6 | 8B | 78 BPM | ||
| I Am the Beast | Blue Stahli | D♭ Major | 9 | 3B | 102 BPM | ||
| Rise and Prevail | Inon Zur, Fallout | G Major | 5 | 9B | 96 BPM | ||
| Overlord | AfterInfinity, Evan Royalty | B♭ Major | 1 | 6B | 76 BPM | ||
| Looming Dread | 中島健太郎 | D♭ Major | 4 | 3B | 160 BPM | ||
| Injustice: Gods Among Us | Christopher Drake | D♭ Major | 4 | 3B | 88 BPM | ||
| She's Rigged | Harry Gregson-Williams | D Major | 3 | 10B | 80 BPM | ||
| Ghost Recon | Tom Salta | F Major | 7 | 7B | 180 BPM | ||
| No Gravity | Mick Gordon | C Minor | 4 | 5A | 106 BPM | ||
| Welcome to Bright Falls | Petri Alanko | G Minor | 1 | 6A | 93 BPM | ||
| Resynthesis | Sam Hulick | A Minor | 4 | 8A | 120 BPM | ||
| There Is Only War | Nima Fakhrara | G Major | 4 | 9B | 84 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| Arkham Origins Main Titles | Christopher Drake | G Minor | 6 | 6A | 106 BPM | ||
| Forbidden Rites | Total Mayhem Games | D Minor | 6 | 7A | 80 BPM | ||
| The Commonwealth | Inon Zur, Fallout | A Major | 2 | 11B | 88 BPM | ||
| We Are All Dangerous | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Theme from Assassin's Creed Syndicate Jack the Ripper | Bear McCreary | A Major | 2 | 11B | 120 BPM | ||
| Town in Chaos | Stuart Chatwood | A Major | 10 | 11B | 144 BPM | ||
| Empty | Garrett Lindquist | D Minor | 3 | 7A | 160 BPM | ||
| Echoes of an Old Life | Bear McCreary | F Major | 2 | 7B | 83 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| Main Theme | Daniel Licht | C Major | 1 | 8B | 79 BPM | ||
| Bane | Christopher Drake | D♭ Major | 5 | 3B | 95 BPM | ||
| Rapid Adaptation | Keith Power | D♭ Major | 9 | 3B | 155 BPM |