"Missa Angelorum: Gloria" by Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson had its release date on January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Rutti: Sacred Choral Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Missa Angelorum: Gloria's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Angelorum: Gloria by Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gaudete: Gloria! Gloria! | Anders Öhrwall, Hagersten Motet Choir, Ingemar Mansson, Mats Möller, Christina Sonstevold, Knut Sönstevold | A♭ Major | 1 | 4B | 159 BPM | ||
| Psalm 138 "I Will Give Thanks unto the Lord" | Charles Harford Lloyd, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | A Major | 1 | 11B | 131 BPM | ||
| The Isle Is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Concerto for Alphorn & Strings: III. — | Carl Rütti, Eliana Burki, paul taylor orCHestra, Paul Wegman Taylor | F Major | 1 | 7B | 109 BPM | ||
| Sacri musicali affetti, Op. 5: O Maria | Barbara Strozzi, Franck Marcon, Alice Duport-Percier | C Major | 1 | 8B | 175 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
| Requiem for the Living: III. Agnus Dei | Providence Singers, Christine Noel | B♭ Minor | 0 | 3A | 95 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| Requiem: II. Out of the deep | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Marcus Coleridge | D Major | 0 | 10B | 83 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| Es kommt ein Schiff geladen | Jan Wilke, Junger Kammerchor Rhein-Neckar, Mathias Rickert | F Minor | 0 | 4A | 83 BPM | ||
| Rämsel III | Matthias Kofmehl, Carl Rütti | D♭ Major | 0 | 3B | 64 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| Snow Angel (Live) | Sarah Quartel, Halifax Camerata Singers, Hilary Brown, Jeff Joudrey, Lynette Wahlstrom | C Minor | 2 | 5A | 178 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 8, Rescue him, O Lord, in this his evil hour (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIe. Credo in Spiritum Sanctum | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| When Jesus, Through Faith, Is My Savior SHZ 549 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Ashley Niemela, Marianna Saulamaa, Liisa Keranen | C Minor | 2 | 5A | 94 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM |