Mathieu Cé's 'Pagan Prelude' had a release date set for April 9, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 14 in the song's album "Night Music, Vol. 2". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Pagan Prelude is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pagan Prelude by Mathieu Cé having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Night Sleeping | Peter Gregson, Sam Thompson | A Major | 0 | 11B | 139 BPM | ||
| Rowland (Lord Willoughby's Welcome Home) [Arr. for chromatic kannel by Anna-Liisa Eller] | William Byrd, Anna-Liisa Eller | D Minor | 1 | 7A | 71 BPM | ||
| 4 Memento Mori: I | Marcus Paus, Joachim Kwetzinsky | D♭ Major | 4 | 3B | 140 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | C Minor | 2 | 5A | 102 BPM | ||
| Slow Presence | Sand & Silence | C Minor | 2 | 5A | 102 BPM | ||
| Midday Tumble | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| For You To Love Me | Gaga River | C Minor | 2 | 5A | 102 BPM | ||
| Evenness of Mind | Fred Westra | A♭ Major | 1 | 4B | 152 BPM | ||
| The Deep Sea | Horizon Reverie | D Major | 0 | 10B | 68 BPM | ||
| Almost Gone | Sand & Silence | C Minor | 2 | 5A | 102 BPM | ||
| 396 Hertz, Liberation | Jesse Ahmann | B Major | 0 | 1B | 64 BPM | ||
| Hypnotize | Michelle Sweegers | A Major | 5 | 11B | 74 BPM | ||
| Xàfec de Llum I Tenebres: I. Como Lluvia Fina | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Passeig per Japó | Màquina de Somnis | F Major | 1 | 7B | 111 BPM | ||
| Visiting the Glen | Alwyn Oak | E♭ Major | 0 | 5B | 139 BPM | ||
| Lydian Mood | Mathieu Cé | D♭ Minor | 2 | 12A | 160 BPM | ||
| Gregorian Cello | Jesse Ahmann | F♯ Minor | 0 | 11A | 81 BPM | ||
| 10:10 Twenty Second Breath Cycles: Three Breaths Per Minute: Even, Slow, Relaxed Breathing Technique | Jenna Citrus | B♭ Minor | 4 | 3A | 86 BPM | ||
| Mathura | Vic Vision, Vedic Moon | G Major | 0 | 9B | 51 BPM | ||
| Early Morning Melody (Transcr. Parkin for Soprano Saxophone) | Meredith Monk, Jess Gillam | G Minor | 0 | 6A | 72 BPM | ||
| 49 Years | Pakk Hui | A♭ Major | 2 | 4B | 81 BPM | ||
| Silêncio Absoluto | Imperial Magia | C Minor | 2 | 5A | 102 BPM | ||
| Moonshadows, Pt. 4: Episode 3 | Tomasz Trzcinski | G Minor | 3 | 6A | 180 BPM | ||
| The Power of Love | Sequoia Lane | B♭ Minor | 1 | 3A | 138 BPM | ||
| Frosty Reverie Melody | Jullåtar För Barn, Julsånger, Julsånger Akademi | D♭ Minor | 2 | 12A | 84 BPM |