On 2012, the song "Robot Waiting Room #1" was released by Aperture Science Psychoacoustic Laboratories. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Robot Waiting Room #1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 79 in the song's album "Portal 2: Songs to Test by (Collectors Edition)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Robot Waiting Room #1's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Robot Waiting Room #1 by Aperture Science Psychoacoustic Laboratories having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Argonaut Atlanta | scntfc | B Major | 2 | 1B | 67 BPM | ||
| Darklight Escape | Matt Christensen | D♭ Major | 4 | 3B | 175 BPM | ||
| Burned Bean Coffee (From Cities: Skylines Original Game Soundtrack) | Paradox Interactive | A Major | 1 | 11B | 131 BPM | ||
| Ascent | Progfox | C Major | 3 | 8B | 136 BPM | ||
| Wired | Progfox | A♭ Minor | 9 | 1A | 105 BPM | ||
| Vertibrae | Ryan Roth | B Major | 4 | 1B | 108 BPM | ||
| So, Whats the Plan | Pascal Michael Stiefel | F♯ Major | 4 | 2B | 110 BPM | ||
| O1 | Peter Hont | B Minor | 4 | 10A | 124 BPM | ||
| The Reunion | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Fridays | Mr. Sauceman | A♭ Major | 8 | 4B | 114 BPM | ||
| Rain | Progfox | C Major | 3 | 8B | 136 BPM | ||
| Ranch Wistful | Harry Mack | B Major | 3 | 1B | 110 BPM | ||
| Raindeer Ride | Lydia Esrig | C Minor | 1 | 5A | 160 BPM | ||
| Danger | Vince De Vera & Jason Garner | E Minor | 4 | 9A | 86 BPM | ||
| Firestorm | Harry Callaghan | E Major | 4 | 12B | 120 BPM | ||
| Howling Rift | snoodle | D♭ Minor | 3 | 12A | 96 BPM | ||
| Clouds Observer | The Daniel Pemberton TV Orchestra | C Minor | 1 | 5A | 170 BPM | ||
| 煤气灶 | Kane Parsons | C Minor | 4 | 5A | 158 BPM | ||
| Franken Turrets | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Dystension (Womb) | Mudeth | A♭ Major | 5 | 4B | 140 BPM | ||
| Indefinity | Matt Christensen | F Minor | 3 | 4A | 65 BPM | ||
| Playing With Danger | Valve Studio Orchestra | G Minor | 5 | 6A | 100 BPM | ||
| Random Fate | Progfox | A Minor | 0 | 8A | 70 BPM | ||
| Guardian | Yann Van Der Cruyssen | A♭ Minor | 1 | 1A | 120 BPM | ||
| Ranch Night | Harry Mack | E Major | 3 | 12B | 138 BPM |