On January 1, 2015, the song "Clay" was released by Jack Biilmann. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jack Biilmann's "Myself To Blame" album is number 3 out of 11. Clay is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Clay by Jack Biilmann to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Time to Slow Down | Mike Andersen | C Major | 5 | 8B | 88 BPM | ||
| THE MAN WHO NEVER STAYED DOWN | ÉTHER DARK MOTIVATION | A♭ Minor | 4 | 1A | 172 BPM | ||
| Revelation Blues | Flaherty Brotherhood | A Minor | 4 | 8A | 68 BPM | ||
| Fine Time | Tomar and the Fcs | F♯ Major | 6 | 2B | 96 BPM | ||
| Honey, Would You Look At That | Daylight Rapture | A Minor | 5 | 8A | 81 BPM | ||
| A Change Is Gonna Come | Los Coast, Gary Clark Jr. | D Major | 4 | 10B | 108 BPM | ||
| All In, No Looking Back | Michael DuBois | E Major | 6 | 12B | 71 BPM | ||
| Lazy River | Brad Urba | A♭ Major | 5 | 4B | 140 BPM | ||
| The Wave Is Coming | Cory Mon | A♭ Minor | 3 | 1A | 100 BPM | ||
| What's on Your Mind (OurVinyl Sessions) | Greyhounds, OurVinyl | F Minor | 9 | 4A | 81 BPM | ||
| No Roads Left to Follow | Bellhound Choir | G Minor | 6 | 6A | 133 BPM | ||
| Copperhead Road Trip | Behnita | A♭ Minor | 4 | 1A | 172 BPM | ||
| Waiting For the Sun to Come Up | The Sad Guitar, Misery Guitar Strings, Blues Delight | G Major | 4 | 9B | 110 BPM | ||
| Low Room Blues | Dark Blues YT | A♭ Minor | 4 | 1A | 172 BPM | ||
| Confession (Live) | Lloyd Spiegel | D Major | 10 | 10B | 118 BPM | ||
| My Dying Bed | Flaherty Brotherhood | D Minor | 4 | 7A | 128 BPM | ||
| In the Pines | Eric Johanson | D Major | 2 | 10B | 100 BPM | ||
| Not The Only Love | The Meltdown, Liz Stringer | C Minor | 3 | 5A | 103 BPM | ||
| Save Me (From Myself) | Jonah Tolchin | D♭ Minor | 6 | 12A | 77 BPM | ||
| Rising Sun | Nathan Cavaleri | C Major | 5 | 8B | 83 BPM | ||
| Long Way to Charleston | Nathan Bess | C Major | 3 | 8B | 132 BPM | ||
| Southern Breeze | Dwayne Shivers | C Minor | 5 | 5A | 72 BPM | ||
| Body Language | Jesse Roper | D♭ Major | 9 | 3B | 156 BPM | ||
| Cold Hands of the Earth | dark country | B Major | 4 | 1B | 184 BPM | ||
| Dotted Line | The Alex Lucero Band | A♭ Major | 4 | 4B | 74 BPM |