Alka Yagnik, Manhar's ' "Raakhi Har Saal" was released on its scheduled release date, November 1, 1985. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 11 in Bihari Babu by Chitragupta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Raakhi Har Saal is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Raakhi Har Saal by Alka Yagnik, Manhar is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kahan Rangvlu Kurti | MANOJ TIWARI, Indu Sonali, Rajneesh | B♭ Minor | 5 | 3A | 114 BPM | ||
| Jhalar Baje | BAPS Swaminarayan Sansth | B Major | 6 | 1B | 135 BPM | ||
| Padhao Re Popat | Ashit Desai & Group | F Major | 4 | 7B | 157 BPM | ||
| Reshamle Chhopera | Raju Bagdas, Gulam Ali | C Major | 6 | 8B | 73 BPM | ||
| Aaj Hriday Mama Vishal Jhale | Arun Date | E Major | 5 | 12B | 81 BPM | ||
| A Saperau | Alka Yagnik | F Minor | 6 | 4A | 81 BPM | ||
| Kukeli Koiliya | Alka Yagnik | G Minor | 7 | 6A | 143 BPM | ||
| Vooguthyundhi Neeinta | S. P. Balasubrahmanyam, Sadan | E Major | 9 | 12B | 128 BPM | ||
| Hennumakkale Nimage | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM | ||
| Mazya Kapalacha Kunku | Lata Mangeshkar | G Major | 4 | 9B | 101 BPM | ||
| Tujha Premacha Bahana | Chandrashekhar Gadagil | B Minor | 7 | 10A | 105 BPM | ||
| Hali Suddi Tagibyada | Shabbir Dange | A♭ Major | 5 | 4B | 159 BPM | ||
| Gopal Re O Gopal | Anusuya Ghosh | C Major | 5 | 8B | 95 BPM | ||
| Janghiya Baithawal Ae Papa | Kalpana Patowary | D♭ Major | 5 | 3B | 77 BPM | ||
| Ramne Samri Le | Hari Bharwad | D♭ Major | 6 | 3B | 143 BPM | ||
| Tere Dil Mein Rehna Hai | Anuradha Paudwal, Mohammed Aziz | B♭ Minor | 6 | 3A | 79 BPM | ||
| Ore O Kale Keu | Gostho Gopal Das | B♭ Major | 4 | 6B | 96 BPM | ||
| Ek Nayika Ekai Chilo | Mrinal Banerjee, Asha Bhosle | D♭ Major | 7 | 3B | 79 BPM | ||
| Hruday Bharuni Aale Mazhe | Shakuntala Jadhav | E Major | 5 | 12B | 78 BPM | ||
| Shivyogi Siddharam | Bela Sulakhe, Soham Chakraborty, Sunny Nair | A♭ Major | 9 | 4B | 124 BPM | ||
| Ei Je Banalata Pahada | Akshaya Mohanty | G Major | 5 | 9B | 106 BPM | ||
| Thag Harva Re Kahe | Jaspal Singh, Deepmala | F♯ Major | 9 | 2B | 154 BPM | ||
| Neej Ladivala | Lata Mangeshkar | G Major | 1 | 9B | 70 BPM | ||
| Roje - Roje Aayi Ae Maiya | Bharat Sharma Vyas | A♭ Major | 4 | 4B | 99 BPM |