Николай Свободин's ' "Сказочник: Мне было всего семь лет" was released on its scheduled release date, January 1, 2007. This song appears to be safe for all ages as it is not explicit. There is only one song in Ганс Христиан Андерсен: "Дюймовочка", "Дочь болотного царя" и "Сказочник", so we believe that "Сказочник: Мне было всего семь лет" is a single. Сказочник: Мне было всего семь лет is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Сказочник: Мне было всего семь лет by Николай Свободин is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Дядюшкин сон, Чт. 7 | Аудиокнига в кармане, Николай Свободин | G Major | 3 | 9B | 74 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| La Gioconda / Act 2: Pescator, affonda l'esca | Amilcare Ponchielli, Sherrill Milnes, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Minor | 2 | 5A | 92 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Strauss, Johann II : Der Zigeunerbaron : Act 1 "So elend und so treu" [Saffi, Barinkay] | Johann Strauss II, Nikolaus Harnoncourt, Wiener Symphoniker | A Major | 0 | 11B | 125 BPM | ||
| Offenbach: Orphée aux enfers, Act 1: Duo du concerto. "Ah! c'est ainsi !" (Orphée, Eurydice) | Jacques Offenbach, Marc Minkowski, Natalie Dessay, Yann Beuron, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | C Major | 2 | 8B | 123 BPM | ||
| Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
| Tosca, Act I: Sommo giubilo, Eccelenza! | Giacomo Puccini, Davide Giangregorio, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Weber: Abu Hassan, J. 106: "Liebes Weibchen, reiche Wein" (Fatime, Abu Hassan) | Carl Maria von Weber, Wolfgang Sawallisch, Edda Moser, Nicolai Gedda, Orchester der Bayerischen Staatsoper München | C Major | 5 | 8B | 139 BPM | ||
| Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
| Trial by Jury: Is This the Court of the Exchequer? | Gilbert & Sullivan Society of Houston | D Minor | 2 | 7A | 120 BPM | ||
| Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | ||
| Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
| Aida, Act I, Scene 2: Sacred Dance of the Priestesses... Immenso Fthà...Mortal, diletto ai Numi (Priestesses, Ramfis, Priests) | Giuseppe Verdi, Bonaldo Giaiotti, Coro Del Teatro Dell'Opera Di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | C Minor | 1 | 5A | 72 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
| Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
| Offenbach: Orphée aux enfers, Act 2: Chœur infernal. "Vive le vin ! Vive Pluton !" (Chœur) | Jacques Offenbach, Marc Minkowski, Chœur de l’Opéra de Lyon, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | C Major | 4 | 8B | 87 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| La traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Juan Pons, Sondra Kelly, Julien Robbins, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 92 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D Major | 2 | 10B | 49 BPM | ||
| Peter and the Wolf, Op. 67: IX. Peter Prepares to Catch the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 112 BPM |