"Prologue: Welcome, Welcome" by John Blow, Christine Brandes, Nicholas McGegan, The Arcadian Academy, Mary Springfels had its release date on February 10, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of With Charming Notes (Purcell & Blow: Songs and Instrumental Music) by Henry Purcell, Nicholas McGegan, Christine Brandes, The Arcadian Academy, Mary Springfels. The song's track number on the album is #24 out of 24 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Prologue: Welcome, Welcome is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prologue: Welcome, Welcome by John Blow, Christine Brandes, Nicholas McGegan, The Arcadian Academy, Mary Springfels has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Prologue: Welcome, Welcome being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Orfeo, SV 318 / Act II: "Mira che sé n'alletta" - "Dunque fa degni, Orfeo" | Claudio Monteverdi, Mark Tucker, Nigel Robson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A Major | 1 | 11B | 95 BPM | ||
| Confitebor tibi Domine, ZWV 72: Confitebor tibi Domine - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | A♭ Minor | 1 | 1A | 80 BPM | ||
| Venus & Adonis, Act III: The Act Tune | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 77 BPM | ||
| Missa Circumcisionis, ZWV 11: Sanctus – Pleni sunt caeli – Osanna I | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F Minor | 4 | 4A | 80 BPM | ||
| Dixit Dominus, HWV 232: II. Virgam virtutis tuae | George Frideric Handel, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21: VI. Wo bleibet dein Rasen | Johann Ludwig Bach, William Shelton, Michael Mogl, Sebastian Myrus, Capella Sollertia, Johanna Soller | F Minor | 4 | 4A | 80 BPM | ||
| Messe de minuit pour Noël, H. 9: I. Kyrie: No. 4, Christe II - Kyrie | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 4 | 5A | 95 BPM | ||
| Neubrandenburg Concerto No. 1: I. Vivace (Transcr. By Harer, after Bach's Christmas Oratorio, BWV 248: Opening chorus of the fifth Cantata) | Christoph Harer, Johann Sebastian Bach, La Festa Musicale | F♯ Minor | 3 | 11A | 109 BPM | ||
| Concerto grosso in D Major, Op. 6 No. 1: V. Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | E Major | 1 | 12B | 141 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): V. Quoniam si voluisses | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | ||
| Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
| Violin Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Major | 1 | 3B | 115 BPM | ||
| Mache dich, mein Geist, bereit, BWV 115: IV. Aria. Bete aber auch dabei | Johann Sebastian Bach, Le Banquet Céleste, Céline Sheen | F Minor | 4 | 4A | 80 BPM | ||
| Marais: Suite en si: I. Prélude (Transcr. Rondeau pour clavecin) | Marin Marais, Jean Rondeau | E♭ Major | 2 | 5B | 135 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Hasse: Serpentes ignei in deserto: Recitativo accompagnato. "Tu, qui a cœlo dilectus" (Eliab, Eleazar, Moyses) | Johann Adolf Hasse, Thibault Noally, Les Accents, Carlo Vistoli, David Hansen, Philippe Jaroussky | D♭ Major | 0 | 3B | 90 BPM | ||
| Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | F Minor | 4 | 4A | 80 BPM | ||
| Stabat mater: IV. Quae moerebat et dolebat | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| As Pants the Hart, HWV 251b: VI. Why So Full of Grief, O My Soul? | George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Samuel Boden | A Major | 5 | 11B | 105 BPM | ||
| Salve Regina, RV 616: O clemens | Antonio Vivaldi, James Bowman | F Major | 0 | 7B | 87 BPM | ||
| Stabat mater: IX. Pia mater, fons amoris | Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: I. Adagio | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | F Minor | 4 | 4A | 80 BPM | ||
| Concerto grosso No. 2 in G Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 0 | 4B | 81 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM |