"Ave Maria, Op. 9: 2" by Marcel Dupré, Traditional, Daniel Roth, Ronan Chouinard, Bernhard Schmidt had its release date on October 1, 2019. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Ave Maria, Op. 9: 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Daniel Roth, Ronan Chouinard, Bernhard Schmidt's "Musique à Saint-Sulpice" album is number 16 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ave Maria, Op. 9: 2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria, Op. 9: 2 by Marcel Dupré, Traditional, Daniel Roth, Ronan Chouinard, Bernhard Schmidt to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dorische Toccata Und Fuge In D-moll, BWV 538: Toccata | Ton Koopman | E♭ Minor | 3 | 2A | 83 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Prose of the Consecration (Jerusalem et Sion Filiae) | Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 0 | 5A | 129 BPM | ||
| Rossini: Petite messe solennelle: XIII. Preludio religioso - Ritornello | Gioachino Rossini, Antonio Pappano, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 106 BPM | ||
| Cinquième Symphonie, Op. 42, 1: I. Allegro vivace | Charles-Marie Widor, Olivier Latry | F Minor | 1 | 4A | 67 BPM | ||
| Le Quattro Stagioni, Op. 8 Nos. 1-4 (The Four Seasons): L'Autunno: Concerto No. 3 in F major, RV 293 (Autumn): Adagio molto | Antonio Vivaldi, Gottfried Von Der Goltz | B♭ Minor | 0 | 3A | 137 BPM | ||
| Litanies | Jehan Alain, William Whitehead | D♭ Major | 3 | 3B | 95 BPM | ||
| Fantasy and March on National Dutch Anthem, The Woilhelmus / Prayer from Psalm 134 "Praise the Lord" | Willem Hendrik Zwart | F Major | 2 | 7B | 178 BPM | ||
| Major Tune | Mark Sibelius | D Major | 0 | 10B | 76 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Gelobet seist du, Jesu Christ, BuxWV 189 | Dietrich Buxtehude, Bine Katrine Bryndorf | D Minor | 0 | 7A | 67 BPM | ||
| Atonement | David John Hicken, David Hicken | C Minor | 3 | 5A | 133 BPM | ||
| Castagnole | Marie Glacier | A Major | 1 | 11B | 56 BPM | ||
| Fanfare & Harm. 'Praise to the Lord, the Almighty' | Paul Fey | D Major | 2 | 10B | 66 BPM | ||
| Handel: Serse, HWV 40, Act 1: Largo. "Ombra mai fu" (Arr. for Trumpet and Organ) | George Frideric Handel, Maurice André, Jane Parker-Smith | B♭ Major | 1 | 6B | 76 BPM | ||
| Le Chemin de le Croix, Op. 29: Station I: Jésus est condamné à mort | Marcel Dupré, Ben van Oosten | D Minor | 0 | 7A | 67 BPM | ||
| Cantabile in D-Major | Paul Fey | D Major | 0 | 10B | 68 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Organ Symphony No. 1 in D Minor, Op. 14: VI. Finale | Louis Vierne, Bertalan Hock | A Major | 2 | 11B | 78 BPM | ||
| Le banquet céleste | Olivier Messiaen, Olivier Latry | F♯ Major | 0 | 2B | 94 BPM | ||
| Der Tag der ist so freudenreich, BuxWV 182 | Dietrich Buxtehude, Bine Katrine Bryndorf | E Major | 0 | 12B | 76 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Symphonie-Passion, Op. 23: I. Le monde dans l'attente du Sauveur | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 85 BPM | ||
| Evensong For Advent: Organ Voluntary | Stephen Cleobury, Henry Mitton, Steve Johns, James Vivian, Herbert Howells, Robert Quinney, Choir of King's College, Cambridge | C Major | 1 | 8B | 69 BPM | ||
| Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM |