"Colin’s Computer Strings" by Oliver Coates had its release date on December 12, 2025. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Pillion (Original Soundtrack)". In this album, this song's track order is #13. Colin’s Computer Strings is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Colin’s Computer Strings by Oliver Coates having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Freedom begins where identity ends | Calveri, Sacred Sound Rituals, sweet planet | B Major | 1 | 1B | 72 BPM | ||
| There Is Where I Want To Work | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Factory and Farm | Oliver Coates | A♭ Minor | 1 | 1A | 58 BPM | ||
| Rosa Canina - Mary Lattimore Rework | Sarah Neufeld, Rebecca Foon, Richard Reed Parry | E Minor | 2 | 9A | 76 BPM | ||
| Home I | Bryce Dessner | F Major | 2 | 7B | 79 BPM | ||
| Massacre of the Innocents, Pt. 1 | Roger Eno | B♭ Minor | 1 | 3A | 62 BPM | ||
| The Great Western Heritage | David Fleming | A Minor | 2 | 8A | 60 BPM | ||
| Holocaust Honey | Daniel Lopatin | E Minor | 7 | 9A | 180 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| Perry | Dan Deacon | F Minor | 1 | 4A | 152 BPM | ||
| Deep State | Laura Karpman | F♯ Minor | 2 | 11A | 123 BPM | ||
| Human Specimens[We Sink] | Yaffle | C Major | 2 | 8B | 160 BPM | ||
| She’s Alive | Natalie Holt | C Major | 1 | 8B | 138 BPM | ||
| I Was Petrified Of Sharks | Roger Goula, Sam Thompson | G Major | 5 | 9B | 176 BPM | ||
| Axioms & Analogies | Abstract Aprils | E Major | 1 | 12B | 142 BPM | ||
| A Letter to Cece | Theodore Shapiro, Caroline Shaw | E Major | 1 | 12B | 86 BPM | ||
| I Believe in Roses | Ryan Taubert | B♭ Major | 0 | 6B | 64 BPM | ||
| Martín | Jon Aguirrezabalaga, Verde Prato | B Minor | 0 | 10A | 140 BPM | ||
| He Was A Kid | Tyler Strickland | F♯ Minor | 0 | 11A | 88 BPM | ||
| The New Cut | Bryce Dessner | A♭ Major | 2 | 4B | 102 BPM | ||
| 50K | Christopher Bear | D♭ Minor | 1 | 12A | 66 BPM | ||
| You Will Always Be Remembered | Oliver Coates | F Major | 0 | 7B | 91 BPM | ||
| Recordings | Park Jiha, Oliver Coates | B Minor | 2 | 10A | 86 BPM | ||
| Connection | Dan Deacon | F Minor | 1 | 4A | 152 BPM | ||
| Freshair | Ale Power | D♭ Minor | 0 | 12A | 77 BPM |