On June 23, 2021, the song "KAROBAAR BALAJI CHALAWE" was released by KANHIYA LAL MITTAL. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in KAROBAAR BALAJI CHALAWE and no other songs are present in the album, we classify this track as a single. In terms of popularity, KAROBAAR BALAJI CHALAWE is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of KAROBAAR BALAJI CHALAWE by KANHIYA LAL MITTAL to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khatu Bulata Rahe | खाटू बुलाता रहे | Raj Pareek | Raj Pareek | D♭ Major | 3 | 3B | 102 BPM | ||
| Meri Maiya Delhi Wali | Deshpal Milakh | F Minor | 9 | 4A | 160 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Shyam Ke Rehte Shyam Ka Premi Aasu Nahi Bahaayega | Shubham Rupam | A♭ Major | 2 | 4B | 96 BPM | ||
| Mahara Kirtan Mein | Manish Tiwari | A♭ Major | 6 | 4B | 116 BPM | ||
| Maa Karni Mahari Araj Suno | Amrit Rajasthani | E♭ Major | 8 | 5B | 135 BPM | ||
| Main To Aayi Vrindavan Dham | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Mandfiya ra Malik Seth Saanwra | Gokul Sharma | E♭ Major | 10 | 5B | 95 BPM | ||
| Bhola Bhalaanjani Ka Lala | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | A Major | 7 | 11B | 188 BPM | ||
| Sanware Ki Mehfil Ko Sanwara Sajata Hai | Bhakti Bhajan Sangrah | A♭ Major | 7 | 4B | 88 BPM | ||
| Meri Vinti Yahi Hai Radha Rani | Devendra Pathak | A♭ Minor | 6 | 1A | 100 BPM | ||
| Har Fagun Mein Shyam Dhani | Raj Pareek | A Major | 8 | 11B | 95 BPM | ||
| Mhara Mahakal Sarkar Jine Khamma Re Khamma 2.0 | Nitin Bagwan | A♭ Major | 8 | 4B | 108 BPM | ||
| Darji Seem De Nishan | Raja Agarwal | A♭ Major | 9 | 4B | 124 BPM | ||
| Shyam Ka Rang Chad Gaya | Pramod Tripathi, Aadesh Shrivastava | D♭ Major | 6 | 3B | 82 BPM | ||
| Chitrakoot Ke Ghat Ghat Pe - Ram Bhajan | Vinod Rathod | F♯ Minor | 8 | 11A | 98 BPM | ||
| Pyaro Lage Salasar Dham | Santanu Dey Sarkar | B Major | 9 | 1B | 120 BPM | ||
| Jahan Barsana Hai | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 149 BPM | ||
| Shyam Baba Tere Pass Aaya Hun | Naresh Narsi | A♭ Major | 10 | 4B | 108 BPM | ||
| Jai Jai Jyotawali | Tripti Shakya | C Major | 9 | 8B | 92 BPM | ||
| Jhula Jhulo Ri Radhe Rani | Mukesh Bagda | D♭ Major | 8 | 3B | 138 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Sapno Me Khatu Wala Aaya | Ankit Pabla, Jitender Sharma, Thakur Nitin | B Major | 10 | 1B | 140 BPM | ||
| Chaska Shyam Ki Yaari Ka | Kanhiya Mittal | G Major | 8 | 9B | 172 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM |