The Ray Conniff Singers's ' "Kiss Me Goodbye" was released on its scheduled release date, October 17, 1968. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ray Conniff's "Honey" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Kiss Me Goodbye is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Kiss Me Goodbye by The Ray Conniff Singers to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charade | The Ray Conniff Singers | A Minor | 3 | 8A | 63 BPM | ||
| Dejé Mi Corazón en San Francisco | Francis Pourcel Orchestra | F Minor | 4 | 4A | 96 BPM | ||
| Come to Capri | Living Strings, Johnny Douglas | D Minor | 2 | 7A | 87 BPM | ||
| I've Never Been to Me | Ronnie Aldrich | A Major | 2 | 11B | 76 BPM | ||
| Maria Elena | 50 Guitars of Tommy Garrett | C Major | 3 | 8B | 80 BPM | ||
| The Wonder Of You | The Sandpipers | E Major | 5 | 12B | 109 BPM | ||
| Through the Eyes of a Child (Un jour, un enfant) | Percy Faith & His Orchestra & Chorus | C Major | 2 | 8B | 82 BPM | ||
| September in the Rain - Instrumental | Hugo Winterhalter And His Orchestra | F Minor | 4 | 4A | 76 BPM | ||
| I'll Never Fall In Love Again | The Ray Conniff Singers | E Major | 3 | 12B | 125 BPM | ||
| Gone With The Wind | Paul Weston | D Major | 2 | 10B | 70 BPM | ||
| Bilitis | Alfred Hause | G Major | 4 | 9B | 87 BPM | ||
| María Elena | Mantovani y Su Gran Orquesta | D Minor | 3 | 7A | 74 BPM | ||
| Brazil (From "The Eddy Duchin Story”, 1956 Film Score) | Carmen Cavallaro | C Major | 4 | 8B | 133 BPM | ||
| Yesterday When I Was Young | The Gino Marinello Orchestra | A Minor | 3 | 8A | 84 BPM | ||
| Love Is All We Need | Vic Dana | B♭ Major | 4 | 6B | 80 BPM | ||
| Early In The Morning | The Ray Conniff Singers | E Minor | 5 | 9A | 93 BPM | ||
| Happy Heart | Petula Clark | A♭ Major | 4 | 4B | 95 BPM | ||
| Goodbye Is Not Forever | Kai Warner | C Major | 3 | 8B | 111 BPM | ||
| No More Lonely Nights | The Fantasy Strings | F Major | 6 | 7B | 80 BPM | ||
| What The World Needs Now Is Love | The Ray Conniff Singers | E Minor | 3 | 9A | 200 BPM | ||
| SOMETHIN’ STUPID | Hugo Strasser und die Heinrich Haas jr. Combo | A♭ Major | 5 | 4B | 106 BPM | ||
| Ain't Misbehavin' | David Rose | B Major | 1 | 1B | 110 BPM | ||
| The Impossible Dream | The Ray Conniff Singers | B♭ Major | 3 | 6B | 184 BPM | ||
| The Impossible Dream | Roger Williams | F Major | 3 | 7B | 97 BPM | ||
| Theme from ''A Summerplace'' | The Gino Marinello Orchestra | B♭ Major | 3 | 6B | 100 BPM |