"Lazarus Requiem: Tableau Four" by Patrick Hawes, Thomas Walker, Elin Manahan Thomas, Rachael Lloyd, Royal Scottish National Orchestra had its release date on April 2, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Patrick Hawes, Elin Manahan Thomas, Thomas Walker, Rachael Lloyd, Royal Scottish National Orchestra's "Lazarus Requiem" album is number 8 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Lazarus Requiem: Tableau Four is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lazarus Requiem: Tableau Four by Patrick Hawes, Thomas Walker, Elin Manahan Thomas, Rachael Lloyd, Royal Scottish National Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blue Bird Variations - Image | Patrick Hawes, Conventus Choir, English Chamber Orchestra | F♯ Major | 0 | 2B | 82 BPM | ||
| O Nata Lux | Nordic Chamber Choir - Nicol Matt | D Major | 0 | 10B | 77 BPM | ||
| Eternal Source of Light Divine | George Frideric Handel, Fair Oriana | B Major | 1 | 1B | 87 BPM | ||
| Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Cantate Domino | Patrick Hawes, Various Artists | A Minor | 1 | 8A | 67 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
| Lazarus Requiem: Elegy for Lazarus | Patrick Hawes, Elin Manahan Thomas, Thomas Walker, Rachael Lloyd, Royal Scottish National Orchestra | A♭ Major | 0 | 4B | 84 BPM | ||
| Into the Light: No. 4, Flower into Kindness | Jake Runestad, Conspirare, Kathlene Ritch, Craig Hella Johnson | D Major | 1 | 10B | 83 BPM | ||
| Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
| For the Beauty of the Earth (Version for Choir & Piano) | Philip Stopford, The Ecclesium Choir | G Minor | 1 | 6A | 143 BPM | ||
| Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Song of Songs - Love's Promise | Patrick Hawes, Conventus, Elin Manahan Thomas, English Chamber Orchestra | C Major | 2 | 8B | 78 BPM | ||
| January | Gareth Malone | D Major | 1 | 10B | 62 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Locus Iste | Paul Mealor, VOCES8 | E♭ Major | 0 | 5B | 127 BPM | ||
| Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | ||
| Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
| The Lark Ascending (Arr. P. Drayton for Violin & Choir) | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Elena Urioste | E Minor | 1 | 9A | 128 BPM | ||
| Tundra | Ola Gjeilo, Tenebrae, Thomas Gould, Ciaran McCabe, Jon Thorne, Matthew Sharp | B♭ Major | 1 | 6B | 71 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| O du stille Zeit | Sjaella | B♭ Major | 0 | 6B | 70 BPM | ||
| Hymn of the Cherubim from Liturgy of St. John Chrysostom | Kammerkoret Aurum | D Minor | 0 | 7A | 78 BPM | ||
| To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel and Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM |