"Aries to Pearls" by Jon R. Mohr had its release date on October 24, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jon R. Mohr's "Grandeur and Intimacy" album is number 7 out of 12. Based on our statistics, Aries to Pearls's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aries to Pearls by Jon R. Mohr to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Woodlands of Old | Dark Academia | Rain | Serhij Kasinets, Regnum Umbrae | E♭ Major | 0 | 5B | 80 BPM | ||
| Dragonlight Awakens | The Eternal Orchestra | G Major | 5 | 9B | 144 BPM | ||
| Madness of the Abbot | Travis Savoie | B Minor | 1 | 10A | 169 BPM | ||
| Echoes of Snowflakes | Nord | G Minor | 2 | 6A | 130 BPM | ||
| Llegadas Inciertas | Moon Vagrants | B♭ Minor | 4 | 3A | 95 BPM | ||
| Alva | Glen Gabriel | D Minor | 3 | 7A | 120 BPM | ||
| Dear Humanity | Paul Dinletir, Merethe Soltvedt | E Minor | 4 | 9A | 67 BPM | ||
| The Missing Star | Innerviews | B♭ Minor | 1 | 3A | 111 BPM | ||
| The Spark | Celestial Aeon Project, Everrune | C Major | 2 | 8B | 82 BPM | ||
| Respuestas Cortas | Espiritu Vencedor | F Major | 1 | 7B | 68 BPM | ||
| Meditation II: Organ Meditation | Mauricio Trabanino | D♭ Minor | 0 | 12A | 109 BPM | ||
| They Arrive | Alan Mayer | G Minor | 7 | 6A | 90 BPM | ||
| Bachmeier | Alessandro Ligi | E Minor | 1 | 9A | 113 BPM | ||
| Main Menu | MrPotoe | G Minor | 2 | 6A | 160 BPM | ||
| This Creed | Johannes Bornlöf | A♭ Minor | 4 | 1A | 173 BPM | ||
| Hiding in the Orchestra | Jon R. Mohr | A Major | 2 | 11B | 100 BPM | ||
| Deep Sorrow for The Loss | J. M. Quintana Cámara | A Major | 3 | 11B | 67 BPM | ||
| Far Away | Invadable Harmony | D♭ Minor | 1 | 12A | 79 BPM | ||
| Slow Tide Thin Moon | Evan Shore | A♭ Major | 0 | 4B | 73 BPM | ||
| Into The Labyrinth | Jon R. Mohr, Hypersonic Music | F♯ Major | 9 | 2B | 151 BPM | ||
| Day IX | Lucas King | E Major | 0 | 12B | 100 BPM | ||
| No Words | J. M. Quintana Cámara | E Minor | 1 | 9A | 140 BPM | ||
| Le Noie Di Aergia | Gianni Milo | E Major | 5 | 12B | 130 BPM | ||
| Undertone | Near The Parenthesis | E Minor | 4 | 9A | 67 BPM | ||
| We Seek Shelter in Another Place | Nikos Spiliotis | D♭ Minor | 1 | 12A | 73 BPM |